Vol. 17 (2019)

Cartaphilus. Journal of Aesthetic Research and Criticism

Vol. 17 (2019)

Caspar David Friedrich:The Abbey in the Oakwood (1809-1810)

Coordinated by Bernat Garí and Christian Snoey.

Published: 11-01-2020

DOI: https://doi.org/10.6018/cartaphilus

Frequency: Anual

Articles

Aesthetics of the popular in the cinema of Joris Ivens and Aldo Francia. Reignificar the memory and patrimony of Valparaiso

spanish, Damaris Natalia Collao Donoso

1-20
- pdf (Español (España))
The subject in transition, a new subalternity in Chilean theater: analysis of "Flores de papel" and "El loco y la triste"

Cristóbal Aylwin, Maite Pizarro Granada

21‐31
- pdf (Español (España))
Y por mirarlo todo, nada veía: 21 days with @Margo_Glantz

Ignacio Ballester Pardo

32‐40
- pdf (Español (España))
Richard Wagner: redemption of the opera and significance of music The debanalization of music through the empowerment of the opera as a form of transcendent expression

Xavier Borja Bucar, Raimon Paz de Casacuberta

41‐50
- pdf (Español (España))
Spatial perception of landscape painting and photography An interdisciplinary approach to spatial presence

Perla Carrillo Quiroga

51‐71
- pdf (Español (España))
From the que sais-je? to the cogito ergo sum. A reflection on the skeptical origins of modern literature in the light of Richard H. Popkins’ The history of skepticism from Erasmo to Spinoza (1960)

Bernat Castany Prado

72‐117
- pdf (Español (España))
A word’s weight. Approach to the diaristic writing in Chantal Maillard’s “Filosofía en los días críticos”

Marta Crespo

118‐125
- pdf (Español (España))
'Felina é insinuante, embriagada y fuera de si'. The reception of the opera "Salomé" in Barcelona

Alicia Daufi Muñoz, Jordi Clos Soler

126‐136
- pdf (Español (España))
Women, love and freedom in the Dominican contemporary poetry: Rosa Silverio and Lourdes Batista-Jakab

Tiziano Faustinelli

137‐148
- pdf (Español (España))
An invisible roar: the cajas in the theatre of Bances Candamo

Gastón Gilabert

149‐163
- pdf (Español (España))
A rhythmic review of two poems in prosa of Ramos Sucre: ‘El asno’ and ‘El jugador’ of “El cielo de esmalte”

Berta Guerrero Almagro

164‐175
- pdf (Español (España))
A phenomenological vision of cinematographer’s ontology

Alfonso Hoyos Morales

176‐186
- pdf (Español (España))
Electra’s Door and Lavinia’s Door. A comparative analysis of Virgilio Piñera and Eugene O’Neill’s Electras

Ángela López García

187‐202
- pdf (Español (España))
Self heterogeneity in Fernando Pessoa, Antonio Machado y Miguel de Unamuno

Patricia Teresa López Ruiz

203‐220
- pdf (Español (España))
The real tragedy of human existence according to the Ligottian aesthetics

Simone Marino-Cicinelli

221‐236
- pdf (Español (España))
The allegory in Baudelaire

Luis Merita Blat

237‐263
- pdf (Español (España))
Wild Faverón: Roberto Bolaño's influences in Gustavo Faverón Patriau's "Vivir abajo"

Basilio Pujante Cascales

264‐278
- pdf (Español (España))
Consumed catholicism. What is left of God

Pol Ruiz Gauna de Lacalle

279‐288
- pdf (Español (España))
The outside side. Idea of the history in "Historia argentina" of Rodrigo Fresán

Christian Snoey

289‐310
- pdf (Español (España))
Organic crisis, hegemony and populism. A reflection on contemporary spanish political essay

David Soto Carrasco

311‐333
- pdf (Español (España))
Inoperancy through the window of “Los detectives salvajes” A reading of vitalism, improductivity and resistance

Jara de Tomás Martín

334‐340
- pdf (Español (España))
Polyphony of the concetrationary universe in “El largo viaje” by Jorge Semprún

Marcelo Urralburu

341‐350
- pdf (Español (España))

Reviews

Rodríguez Salas, Gerardo: Hijas de un sueño

Pedro Antonio Férez Mora

351-353
- pdf (Español (España))

Vol. 17 (2019)

Cartaphilus. Journal of Aesthetic Research and Criticism

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