Lucernas in T.S. African from the Murcia region
Abstract
The advent of Constantine and the promulgation of the edict of Milan produced not only conceptual changes in the Roman world, but also vitally important plastic and aesthetic changes. AND! Christian art, which until now was hidden in the depths of the catacombs or in the tituli secrets, comes to light with its own personality, impacting all artistic fields from architecture to ceramics, leaving in each of them its peculiar and unmistakable stamp . (...)
Downloads
References
Anselmino, L. "Le lucerne rinvenute negli scavi della missione Archeologica italiana a Cartagine: problemi tipologici e cronologici". Actes colloque sur la céramique antique, Cartague 1980 (publicado en 1982),
Aplican el término cristianas o paleocristianas, Massigli, págs. 29-46; Dourner-guc, págs, 362-380; Libertini, pág. 283; Alvarez Ossoricj, pág. 271; Palol Salcllas, pág. 239; Fernández Chicarro, págs. 21-124; Ponsich, pág. 35. Emplean denomi nación africanas, Hayes, págs. 310-315;
Bailey, D. A Catalogue of the Lamps in the British Museum. 2 Roman Lamps madc in Italy. Cambrigde 1980,
Balil, A. "Estudios sobre lucernas romanas III" Studia Archaelogica. Valladolid, 1982 (Nº.70). Ejemplar procedente de Els Antigos (Alicante).
Belchior, C. Lucernas Romanas de Conimbriga, 1969, pág. 76.
Broneer. Corinth IV.2, Terracota Lamps, Cambridge 1930.
Cuomo di Caprio y Santoro Bianchi, Lucerne fittili e bronze del Museo Civico di Lodi. Lodi 1983; págs. 186-187.
D'Angela, C. "Figulorum nomina su lucerne romane nei musei di Taranto e di Bari" Atti della Pontificia Accademia Romana di Archeologia. Rendiconti LV, 1972-73 (1974).
Dobbins, J.J. Terracota Lamps ofthe Roman Provincie of Siria. Michigan 1977.
Ennabali, A. Lampes, Chretiennes de Tunisie (Museés du Bardo et de Cartago), Paris 1976
Fernández Sotelo, A. Sala Municipal de Arqueología-CEUTA. Guía Catálogo, págs,63-65,
Fernández, F. H. y Manera E., Lucernas romanas del Museo Arqueológico de Ibiza, pág. 15.
Graziani Abbaini, M. Lucerne fittili paleocristiane nell'Italia settentrionale, Bologna 1960.
Grella Consalvo, "Le lucerne c.d. africane o cristiane tipo 31 Dressel del Museo Irpino di Avellino. Estratto dalla rivista "Economia Irpina" N" 2, 1981.
Guidioni Guidi, G. “Una lucerna fittile ritrovata a Bosra". Estratto da Felix Ravena. Quarta serie Fascicolo 1/2, 1981
Hayes, J. W. Late Roman Pottery.
Hayes, J. W., Aticient Lams in the Royal Ontario Museum. I: Greek and Roman Clay Lamps. Toronto 1980, pág. 68,
Hayes, Museo de Ontario. Num. 288
Ivanyi. Die Pannonischen lampen, Budapest, 1935, serie II, num. 2.
Lerat, L., "Catalogue des lampes antiques du Musée de Besançon" Annales littéraires de l'Université de Besançon, T. 1. fasc. 1, Archives I. 2ª serie: Catalogue des collect, arch. I. Les Lampes antiques, Besançon, 1954,
Lucerne del Museo di Sahratha. Nomografie di Archeologia Libica XI L'Erma. Roma 1974, pág. 44.
Menzel. Antike Lampen Im Römas-Germanischen Aentrlamuseum Au Mainz, T. edición 1969, pág. 90.
Mergelina, C. "La Iglesia Bizantina de Algezares" A.E.A., nº 40, Madrid 1940.
Palol Salellas, P., "La colección de lucernas romanas de cerámica proceden-tes de Anipurias en el Museo Arqueo-lógico de Gerona" M.M.A.P, Madrid 1948-49, pág. 239,
Pavolini. "Le lucerne in terra sigillata africana de esportazione: proposta di una tipología" Actes colloque sur la ceramique antique. Cartago 1980 (publicado en 1982),
Pelayo Quintero. "La colección de lucernas, Museo Arqueológico de Tetuán" M.M.A.P., VI 1945, p, 208-214.
Pohl. "Die Frühchristliche lampe vom Lorcnzber bei Epfach, Landkreis, chongau. Versuch einer Gliederung der Lampen vom Mediterranen Typus", Scriftenreihc zur Bayerischen Landges-chichte, Bad 62, München 1962, págs. 219-228, láms. 23-25
Ponsich, M. Les Lampes romaines en terre cuite de la Maurétanie Tingitane. Rabat 1961.
Rickman Fitch, C. "Las lucernas de Cosa" investigación y Ciencia, núm. 77, febrero de 1983, págs. 90-98.
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
Note: Articles prior to 2022 incorrectly display the CC by SA license in the abstract page. They are under a CC by NC ND license as embedded in the article pdfs. Articles published in 2022 and after are under the CC by SA license.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.
