Quintanilla de las Viñas en el contexto del arte altomedieval. Una revisión de su escultura
Abstract
The abundant research carried out in Quintanilla de las Viñas shows how difficult it is to locate it in its context, because it has indistinctly been placed between the 10th century and the Visigothic era, where it is more frequently located. However, a study of its scultures, searching for its foundations from Late Antiquity, reveals the origins of its iconography in the eastern Mediterranean and eastern Sassanian culture, later transferred to the creations of the Early Middle Ages, where the Islamic culture has been a prime agent, particularly from the area of Cordoba in the 9th and 10th centuries.
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