The topic of the manuscript found at the crossroads between Greco-Roman tradition and Christianity in Late Antiquity
Abstract
The purpose of this essay is to trace some relationships between the Greco-Latin literary tradition and that of early Christianity. We will focus specifically on the field of hagiography and the falsifications that occurred there around the fourth and fifth centuries. To this end, we will analyze the use in both traditions of one of the most commonly used topics of falsification over time: that of the rediscovered manuscript, or pseudo-document, as an authorizing element.
Downloads
References
. BROWN, “The Rise and Function of the Holy Man in Late Antiquity”, The Journal of Roman Studies, 61, 1971, pp. 80–101
A. GRAFTON, Forgers and Critics: Creativity and Duplicity in Western Scholarships. Princeton, 1990, p. 9
A. GUDEMAN, «Literary Frauds among the Greeks», Classical Studies in Honour of Henry Drisler, Nueva York-Londres, 1894, pp. 52–74.
A. MOMIGLIANO, “Storiografi a su tradizione scritta e storiografi a su tradizione orale. Considerazioni generali sulle origini della storiografi a moderna” Atti della Accademia delle Scienze di Torino, 96 (1961–62): 186–197.
A. MOMIGLIANO, “Time in Ancient Historiography”, History and Theory, 6, 1966, 1–23. [Editado en español dentro de: La historiografía griega. Barcelona, 1984; pp. 66–93.
C. GARCÍA GUAL, “Un truco de la fi cción histórica: el manuscrito reencontrado” en AAVV, Cinco miradas sobre la novela histórica, Madrid, 2009.
C. GARCÍA GUAL, Los orígenes de la novela, Madrid, 1991, p. 303 y ss.
C. GARCÍA GUAL: Las primeras novelas. Madrid, Gredos, 2008; en especial las pp. 83–93, «La crisis del héroe».
D. HERNÁNDEZ DE LA FUENTE, Vidas de Pitágoras, Gerona, 2011; en especial p. 39 y ss.
E. CANTARELLA, Los suplicios capitales en Grecia y Roma, Madrid, 1996 (ed. original 1991), p. 69 y ss.
F. MESTRE, L’assaig a la literatura grega d’època imperial, Barcelona, 1991, pp. 241–266.
F. MESTRE: “Plutarco y la biografía en época imperial”, Estudios clásicos, 34, 2007, pp. 11–28.
F. YOUNG, “Classical genres in Christian guise; Christian genres in classical guise” en F. YOUNG, L. AYRES, A. LOUTH (eds.), The Cambridge history of early Christian literature, Cambridge, 2004, pp. 251 y ss.
G. FRAZER, El folklore en el Antiguo Testamento, Méjico, 2005 (ed. original de 1907), p. 205 y ss.
K.N. MHEALLAIGH, “Pseudo-Documentarism and the Limits of Ancient Fiction”, American Journal of Philology 129 (2008): 403–431; p. 408 y ss.
M. VAN UYTFANGHE, “L’hagiographie: un ‘genre’ chrétien ou antique tardif?”, Analecta Bollandiana, 111, 1–2, 1993, pp. 135–188
N. LORAUX, La ciudad dividida, Madrid, 2008 (ed. original de 1997), p. 137 y ss.
P. BROWN, “The Saint as Exemplar in Late Antiquity”, Representations, 2, 1983, p. 9.
P. PIOVANELLI, “La découverte miraculeuse du manuscrit caché, ou la fonction du prologie dans l’Apocalypse de Paul”, en B. ROUSSEL y J-D. DUBOIS (eds.), Entrer En Matière: Les Prologues, Paris, 1998; pp. 111–124.
S. GONZÁLEZ MARIN, Análisis de un género literario: las vidas de santos en la antigüedad tardía, Salamanca (tesis en red), 1996, p. 131 y ss.
W. HANSE, “Strategies of Authentication in Ancient Popular Literature” en S. PANAYOTAKIS, M. ZIMMERMAN Y W. KEULEN (eds.) The Ancient Novel and Beyond, Leiden, 2003,pp. 301–314
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
Note: Articles prior to 2022 incorrectly display the CC by SA license in the abstract page. They are under a CC by NC ND license as embedded in the article pdfs. Articles published in 2022 and after are under the CC by SA license.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.