La “Sala del Fresco” de Micenas. Revisión de las interpretaciones del programa iconográfico y nueva lectura en relación a los espacios

Pelayo Huerta Segovia

doi:10.6018/pantarei/2019/5

Autores/as

Pelayo Huerta Segovia Universidad Autónoma de Madrid

DOI: https://doi.org/10.6018/pantarei/2019/5

Palabras clave: historia del arte, arqueología, religión, ceremonias, mitología

Resumen

En el presente estudio se aborda el programa iconográfico de la “Sala del Fresco” de Micenas con el objetivo de entender el significado de las pinturas, el propósito por el cual fueron concebidas, así como su relación con la actividad ritual del lugar. Para ello, revisando las teorías existentes, se procederá al análisis y a la interpretación de cada una de las figuras y de los motivos decorativos. Por último, se atiende al contexto arqueológico de la estancia y del resto de espacios con el fin de establecer un posible vínculo con otras salas vecinas del “Centro cultual”, cuya relación es clave para una nueva lectura de las pinturas.

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