Entre personalidad y silencio nativo: una estética cinematográfica para Juan Gil-Albert

Authors

  • Manuel Valero Gómez
Keywords: Juan Gil-Albert, cinema, vanguard, esthetic, Contra el cine

Abstract

Juan Gil-Albert (Alcoy, 1904) devotes a part of his work to the study of the cinema. Contra el cine or Viscontiniana are good examples of the importance of the Alicante’s author in the evolution of the seventh art. In these pages, we propose the configuration of a cinematographic esthetic for Juan Gil-Albert. The starting point will be the vanguard in conflict with the orteguiano apprenticeship which permeates his esthetic ethic. Juan Gil-Albert makes a travel through the cinema in which he treats his nature, the North American one compared to the French one, and also the sociological influence of the gender.

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Published
15-05-2015
How to Cite
Valero Gómez, M. (2015). Entre personalidad y silencio nativo: una estética cinematográfica para Juan Gil-Albert. Monteagudo. Revista de Literatura Española, Hispanoamericana y Teoría de la Literatura, (19), 203–223. Retrieved from https://revistas.um.es/monteagudo/article/view/227261
Issue
No. 19 (2014): La Primera Guerra Mundial y el acontecer literario en España: 1914
Section
Varia

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