Vol. 3 (2010): Narrativas poscoloniales. Globalización e identidades

• Editorial Board

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Articles

• Interaction, Interpretation and Implication as Creative Participatory Strategies. Time Divisa by Antonio Vega Macotela

  Guadalupe Aguilar

  9-28

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• Activist Art/Political Art: Reflexions around La LLeca collective work’s with male teenagers in situation of reclusion

  Cynthia Pech

  29-40

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• From Empowerment. Extreme Pictures against the Globalizing Patriarchal Capitalism: Fight and Resistance versus Mexican Femicide and the Chicano beyond Border

  Irene Ballester Buigues

  41-58

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• Archaeology of the image. History of experimental cinema in Uruguay

  Ángela López Ruiz

  59-70

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• The Travel without Return: Considerations about W. G. Sebald’s Work

  Irene López

  71-86

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• Colective Memory and Mediabiography as Transformation of the Cultural Narratives

  Virginia Villaplana Ruiz

  87-102

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• Acephala, Acephala! Headless Figure in Francesca Woodman’s Work.

  Monika Kedziora

  103-112

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Interview

• The Cinema of Original Nature: the Alchemy of Image in Majid Majidí

  Pablo Beneito

  113-128

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Artistic interventions

• Ángeles Císcar

  Ángeles Císcar

  129-134

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• Stany Cambot

  135-140

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Recensiones

• A Perpetrator of Genocide Live Here. Nor oblivion nor forgiveness. it’s not a policeman, it’s the entire institution.GAC: Thoughts, Practices, Actions. Tinta Limon Editions, Buenos Aires, 2009

  Domingo Mestre

  141-142

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• Parallel Events Manifesta 8. An approach to other cultures

  Ana García Alarcón

  143-146

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• CIMUAT: International Congress Woman, Art and Technology in the New Public Sphere. A review of the state of the interconnection between art, woman and techonology in the society of the global network. Different positions and contributions

  Francesca Mereu

  147-148

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