Juan Rulfo: despojar con la mirada. Literatura y cine en El despojo de Antonio Reynoso

Authors

  • Jesús Gómez Tejada
Keywords: Juan Rulfo, El despojo, Antonio Reynoso, Mexican experimental cinema, Hispano-American literature

Abstract

Juan Rulfo’s participation on Antonio Reynoso’s El Despojo (1960) is one of the results of Rulfo’s interest in  lms. The argument and dialogue ideas were created by the author as the same time as the  lming development in the natural areas of Jalisco. The  lm is considered the most accomplished transposition of author’s literature to celluloid. This article deepens in the key creative and interpretative aspects of the short  lm: the Mexican experimental cinema inclusion of the seventies, the literary origin as  lmic adaptation or transposition of an Ambrose Bierce’s tale, and coincidences –in theme, style, symbolism and myths - with the narrative universe created in El llano en llamas (1952) and Pedro Páramo (1955) by Rulfo.

Downloads

Download data is not yet available.
Published
20-07-2017
How to Cite
Gómez Tejada, J. (2017). Juan Rulfo: despojar con la mirada. Literatura y cine en El despojo de Antonio Reynoso. Monteagudo. Revista de Literatura Española, Hispanoamericana y Teoría de la Literatura, (22), 45–70. Retrieved from https://revistas.um.es/monteagudo/article/view/299821
Issue
No. 22 (2017): The path of Rulfo
Section
Artículos

The works published in this journal are subject to the following terms:

 

  1. The Publications Service of the University of Murcia (the publisher) retains the property rights (copyright) of the published works, and encourages and allows their reuse under the license of use indicated in point 2.

 

© Publications Service, University of Murcia, 2011

 

  1. The works are published in the electronic edition of the journal under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Spain license (legal text). They may be copied, used, distributed, transmitted and publicly displayed, provided that: i) the authorship and the original source of their publication (journal, publisher and URL of the work) are cited; ii) they are not used for commercial purposes; iii) the existence and specifications of this license of use are mentioned.