Intentio auctoris e intentio operis: intención manifiesta e intención encubierta en Cervantes y Avellaneda
Abstract
Umberto Eco made a distinction between intentio auctoris, intentio operis and intentio lectoris. If there are relationships of intertextuality or hypertextuality between several pieces of work, the intention of the author and the work itself can be divided into overt and covert intention. In this paper such possibility is exemplified using the works of Cervantes and Avellaneda.
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15-05-2015
Martín Jiménez, A. (2015). Intentio auctoris e intentio operis: intención manifiesta e intención encubierta en Cervantes y Avellaneda. Monteagudo. Revista de Literatura Española, Hispanoamericana y Teoría de la Literatura, (19), 161–175. Retrieved from https://revistas.um.es/monteagudo/article/view/227231
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