Croisement de regards. La phénoménologie de M. Merleau-Ponty et lʼart vidéo de Bill Viola

Autores/as

  • Isabel Matos Dias

Palabras clave:

phenomenology, genesis, video art, subjectivity, vision, perception, reality, camera

Resumen

Considering with the last Merleau-Ponty, phenomenology as a philosophical mouvement inspired by a new learning of perception, instead of a completely closed thinking system, Matos Dias reflects about how contemporary video artists keep on this attitude. Analysing specially the films of Bill Viola (his memorable I do not know it is I am like), the portuguese philosopher points on the phenomenological involvement of an artist who is always looking for the specifity of the union of human being and nature, observer and observed.

Descargas

Los datos de descargas todavía no están disponibles.

Descargas

Cómo citar

Matos Dias, I. (2008). Croisement de regards. La phénoménologie de M. Merleau-Ponty et lʼart vidéo de Bill Viola. Daimon Revista Internacional De Filosofia, (44), 85-92. Recuperado a partir de https://revistas.um.es/daimon/article/view/96241

Número

Sección

Artículos