Croisement de regards. La phénoménologie de M. Merleau-Ponty et lʼart vidéo de Bill Viola

  • Isabel Matos Dias

Resumen

Considering with the last Merleau-Ponty, phenomenology as a philosophical mouvement inspired by a new learning of perception, instead of a completely closed thinking system, Matos Dias reflects about how contemporary video artists keep on this attitude. Analysing specially the films of Bill Viola (his memorable I do not know it is I am like), the portuguese philosopher points on the phenomenological involvement of an artist who is always looking for the specifity of the union of human being and nature, observer and observed.

Cómo citar
Matos Dias, I. (1). Croisement de regards. La phénoménologie de M. Merleau-Ponty et lʼart vidéo de Bill Viola. Daimon Revista Internacional De Filosofia, (44), 85-92. Recuperado a partir de https://revistas.um.es/daimon/article/view/96241
Sección
Artículos