Creation and diffusion in non-presence. The voice and the silence. A proposal for sound narration from a distances
Abstract
We focus on the analysis of the work La voz y el silencio (The voice and the silence) (2022), a narrative based on creation and its dissemination in the non-presential. The project consists of a narration hosted in podcast format, which facilitates the individual experience of the listener, who can access its content from any time and place. We were inspired by some fragments of Homer’s Odyssey (8th century BC). The silence and seclusion have meant that, for centuries, travel and its stories have been a man’s business. Women’s stories are of no interest. Their adventures are small. They do not travel. In previous research we analyzed the relationship between space and narrative. Here we investigate more specifically the relationship between voice and silence, for which we have completely dispensed with the image and the space of representation. We have made sound recordings at different geographical points as well as along the paths that connect them. We have also included voices that read the text, and current sounds of the sea that joins or separates the shores. The editing and distribution process of La voz y el silencio has also been virtual.
Downloads
References
Beard, M. (2018). Mujeres y poder. Un manifiesto. Crítica.
Berenguer, J.M., Iges J. y Nuñez, A. ( 2015). Música electroacústica y radio arte: convergencias en el espacio electrónico. En MASE, Historia y presencia del arte sonoro en España. Bandaàparte.
Carrión, J (2021). Membrana. Galaxia Gutenberg.
Carrión, J. (2022). Algunas ideas sobre los museos del futuro, en las Jornadas Narrar con imágenes / exponer con palabras: intersecciones entre arte y literatura. CENDEAC. Disponible en: https://www.youtube.com/watch?v=KnuLdDKoHxM
Carrión, J. (2022). Todos los museos son novelas de ciencia ficción. Barcelona: Galaxia Gutenberg.
Carrión, J. (Anfitrión). (2020-2021). Solaris. Ensayos sonoros [Podcast]. Spotify. https://open.spotify.com/show/04gYTx3VgzFTudnJyEMcTa
Cazalla, L. M. (2017). Podium Podcast, cuando el podcasting tiene acento español. Prisma social, 18, 334-364.
García-Marín, D., y Aparici, R. (2018). Nueva comunicación sonora. Cartografía, gramática y narrativa transmedia del podcasting. El profesional de la información (EPI), 27(5), 1071-1081.
González-Conde, M. J. (2010). La ciberradio. Nueva alternativa de futuro para la radio. Revista de Estudios de Juventud, 88, 51-62. Disponible en http://goo.gl/PJQDYm
González-Conde, M. J., Ortiz-Sobrino, M. Á. y Prieto-González, H. (2019). El radioteatro en España: marco de referencia para una aproximación diacrónica. Index.comunicación, 9(2) 13-34. https://doi.org/10.33732/ixc/09/02Elradi
Guzman, H., Sanfilipo, M. y Zamorano, A. I. (2017). Mujeres de palabra: género y narración oral en voz femenina. Editorial UNED.
Hilmes, M. (2013). The New Materiality of Radio: Sound on Screens. En J. Loviglio y M. Hilmes (Eds.). Radio’s New Wave: Global Sound in the Digital Era (pp. 43-61). Routledge.
Homero, (2018). Odisea. Prólogo de Carlos García Gual y traducción de Emilio Crespo Güernes. Gredos.
Jerez, Concha. (s.f.). Programa nº 15 de Imaginario Sonoro. Radio Educación, México. Disponible en https://e-radio.edu.mx/Imaginarios-Sonoros/15-Concha-Jerez#
Kishigami, J. (2004). Triple A (Any device, Anytime, Anywhere): services in ubiquitous networks and their impacts on the architecture and systems. All Star Network Access Workshop. Geneva, 2-4 June 2004.
Küng, L., Picard, R. y Towse, R. (2008). The Internet and the Mass Media. Sage Publications.
McHugh, S. (2016). Oral history and the radio documentary/feature: Introducing the Cohrd form. Radio Journal: International Studies in Broadcast & Audio Media, 10(1), 35-51.
Pardo Salgado, C. (2012). En los arenales del arte sonoro. Arte y Políticas de Identidad, 7, 15-28. https://revistas.um.es/reapi/article/view/173931
Pardo Salgado, C. (2015). Un nuevo mundo en el sonido. Val del Omar, en MASE. Historia y presencia del arte sonoro en España. Bandaàparte.
Pey, Serge, (1999) Texto poético #9. Disponible en https://bferrando.com/texto-poetico-9-bartolome-ferrando/
Scolari, C. (2015). Ecología de los medios. Entornos, evoluciones e interpretaciones. Gedisa.
Copyright (c) 2023 Servicio de Publicaciones de la Universidad de Murcia
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Works published in this journal are subject to the following terms:
- The Service of Publications from the University of Murcia (publishing house) keeps the published works’ copyrights, and favors and allows the reuse of these works under the license indicated in point 2.
- Works are published in the journal’s online edition under the license Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 España(texto legal). They can be copied, used, disseminated, transmitted and publicly exhibited, as long as: i) the author and original source of publication are cited (journal, publishing house and work’s URL); ii) they are not used for commercial purposes; iii) the existence and specifications of this license are mentioned.
3. Conditions for auto-file. It is allowed and encouraged that authors share electronically their pre-print version (the pre-reviewed version) and /or post-print version (the reviewed and accepted version) of their Works before the publication, since it promotes its circulation and dissemination. RoMEO color: green.