The Archive of the "Fundación Rodríguez”. Analysis, power and management of the legacy

Authors

  • Iker Fidalgo Alday Investigador Independiente
DOI: https://doi.org/10.6018/reapi.460981
Keywords: archive, memory, digital, collective, dematerialization

Abstract

This article starts from a concrete case study that is the research around the archive of the artistic collective “Fundación Rodríguez” (Vitoria-Gasteiz, 1994-2012). The research process will be marked by all that is involved in dealing with an archive composed of digital content and formats on the verge of obsolescence, as well as the difficulties of preserving and maintaining them. Starting from this, the practice of “Fundación Rodríguez” and the role played by the concept of archive in several of the phases of its artistic production will be contextualized. To do so, we will analyze its position from the perspective of collective work, the dissolution of the role of the artist and the dematerialization of the artistic work as the three main fronts from which its production is built.
With all this, we will be able to evaluate from the present time the validity and relevance of his legacy as well as its power in the artistic context to which it belongs.

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Published
30-12-2020
How to Cite
Fidalgo Alday, I. (2020). The Archive of the "Fundación Rodríguez”. Analysis, power and management of the legacy. Art and Identity Policies, 23(23), 36–57. https://doi.org/10.6018/reapi.460981