The borders of the archives. The exotic in Pasolini.

Authors

  • Mery Sut Favaretto
DOI: https://doi.org/10.6018/reapi.416721
Keywords: Pier Paolo Pasolini, visual anthropology, posexotic, geopolitics of memory, situated knowledge

Abstract

Today Pier Paolo Pasolini is considerated as one of the most important Italian intellectuals from the 20th century. His life picks up the passage from the fascist regime to the neo-capitalism and from the colonialism to the post colonialism. Holding the actual Italian geopolitical context in mind in regard to the migration policies, the neoliberal and neocolonial development ¿what does analyse the pasolinianan reference mean now a day? And what happens in regard to the imaginary that was build around the poet as an icon of the fight against radical anti-capitalism if by analyzing his work and life we move our attention to an antiracist perspective? The objetive of this contribution is to situate the pasolinianan figure in the Italian historical context. Analysing his interest about archives and making the more orientalist aspect of his work.

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Published
29-12-2019
How to Cite
Favaretto, M. S. (2019). The borders of the archives. The exotic in Pasolini. Art and Identity Policies, 21, 52–73. https://doi.org/10.6018/reapi.416721