Reactivating Imagination: Experience-based Educational Practices at the CA2M

Authors

  • Pablo Martínez
Keywords: Education, Imagination, Video Literacy, Body, Contemporary Art

Abstract

Through this text we will introduce some of the goals and main working lines at CA2M Centro de Arte Dos de Mayo, the contemporary art center of the region of Madrid. In a context defined by contemporary art and its geographic location at Móstoles, a city in the metropolitan area of Madrid, far from any touristic focus, the museum reveals itself as an ideal framework for re- thinking today’s education –after all, aesthetic actions can shape experience and induce new forms of political subjectivity.

Unlike other strategies of critical pedagogies which lead us to a dead end, we think that the work based on the potential of imagination becomes essential in this time of crisis. In our opinion, this needed reactivation can only be achieved through and from aesthetic experience and body. In this sense, the creation and consolidation of horizontal flexible and long lasting relationships based on the dialogue with all the people involved in the educational processes along with an ongoing revision of formats become the main tools of a positioned and committed educational practice. Because critic without imagination becomes negation, we have to propose alternative worlds to the imposed reality. And these worlds must be dreamt of before.

Downloads

Download data is not yet available.

References

Adorno, T. (1998). Educación para la emancipación. Madrid:Ediciones Morata.

Didi-Huberman, G. (2009). Cuando las imágenes toman posición. Madrid: A. Machado Libros.

Fernández-Polanco, A. (2012). From the Spanish revolution: idle talk, shared images. En Giannetti (Ed.), Arte, Estudos Culturais e Media. Évora, Chaia (en imprenta)

Garcés, M. (2010). Dar que pensar. Sobre la necesidad política de nuevos espacios de aprendizaje. Revisado el 15 de abril, 2011, de http://www.zemos98.org/eduex/spip.php?article147

Guattari, F., y Rolnik, S. (2006). Micropolítica. Cartografías del deseo. Madrid: Traficantes de Sueños.

Hooks, b. (1996). Teaching to Transgress. Education as a practice of Freedom. Londres-Nueva York: Routledge.

Mörsch, C. (2011, Spring) Alliances for Unlearning: On the Possibility of Future Collaborations Between Gallery Education and Institutions of Critique. Afterall, 5-13

Raunig, G. (2007). Revoluciones moleculares y prácticas artísticas transversales. En Brumaria 8 Arte y Revolución (pp. 85-97). Madrid: Brumaria.

Rolnik, S. (2009). Lygia Clark recomienda: evite falsos problemas. En 10000 francos de recompensa (el museo de arte contemporáneo vivo o muerto). Madrid: Encuentros Adace.

Sturm, E. (2007). Empezando desde el arte ¿qué significa esto? En J. Rodrigo (Ed.),Prácticas dialógicas. Intersecciones de la pedagogía crítica y la museología crítica.Palma de Mallorca: Es Baluard.

How to Cite
Martínez, P. (2011). Reactivating Imagination: Experience-based Educational Practices at the CA2M. Art and Identity Policies, 4, 11–22. Retrieved from https://revistas.um.es/reapi/article/view/145971