Influencias de Alonso Cano en la obra del pintor lorquino Pedro Camacho Felizes de Alisén. A propósito de la Virgen del Rosario, obra inédita conservada en el Museo de Bellas Artes de Valencia
Abstract
In the collection of Museo de Bellas Artes of Valencia an anonymous picture representing the Virgin of the Rosary is conserved. In the present study, we have been able to identify this picture as a work of Pedro Camacho Felizes de Alisén (Lorca, 1644-1716) like unquestionable author. Its identification not only increase the number of works of the artist, but it is specially interesting because it shows a clear influence of the models of Alonso Cano; fact that demonstrates that the trip of the artist to Granada in 1692, by apparently bureaucratic reasons, was not without any profit.Downloads
-
Abstract197
-
PDF (Español (España))121
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.