APROXIMACIONES AL RETABLO RENACENTISTA ASTURIANO Y SUS ARTÍFICES
Abstract
By the end of the 16th century Asturias knew an interesting artistic stage, mostly because of the patronage by the Archbishop Valdés and, in general, by the local clergy. Unfourtanely, altarpieces of this time eirher disappeared or only fragmenrs of them have been preserized. Neverrheless, documents allow us ro approach them. Thus we know that, as in the common practice, they were made in wood wirh polychromy and gilding. There were monstrance-retables, retables with an only body, triptych-retables and other types. They developed a not ven complex iconographic, with predilection for Marian themes or certain Saints like Eulalia or Anthony. In this period it stands our the activity of the masters Francisco González and Juan de Medina Cerón, as the most important ones.Downloads
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.
