Recordar lo inolvidable. El 11-S: Instantes de verdad sin instantáneas de realidad
Abstract
The september 11 attacks are the historical event of which more pictures have been taken. However, mass media did not practically published an image of any of the almost three thousand victims, showing a radical asymmetry regarding the war journalism or other countries terrorism protocol. At first time, due to several reasons, the attacks were seen for the most people as a fictional account, a feeling that came dramatically down when we saw an exceptional group of images showing something worst than a corpse; but people in the last moments of their lives, that were censored as well. This will allow us to study the present image status, to question the benefts of the death pictures and to analyze the consequences on the contemporary art world.Downloads
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.
