Sombras amenazantes y personajes-sombra. Del cine a la pintura
Abstract
With the present work one tries to demonstrate the important and early infuence that has had the cinema in the painting, from two very concrete iconographic types that rely on the common denominator of the shadow. Both iconographies were forged in the mute cinema and went on to the area of the plastic arts thanks to the presumption of certain vanguard painters.Downloads
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