Artistic Hybridation and Aesthetic Experience.

Authors

  • Joaquín Rodríguez Espinosa
Keywords: Hybridization, globalization, art, life, aesthetics experience, subject, reality, artistic education.

Abstract

The globalized world which, in spite of the promises of a better life, tends to a segregated
homogeneization and the loss of identity by means of the imposition of a unique thought coming from the Establishment.
The cultural hybridization appears as a valid reaction which is able to liberate us from those forms of aggressive invasion. The aesthetic experimentation of objects and forms of existence tries to bring art and life closer together and this is one of the most effective cultural hybridization against his fundamentalist uniformation of the system; as well as an enriching model for his human being. The article aims to show some of the peculiarities of this hybridization –in relation to the way we interpret ourselves and to the way we understand the reality– and an approach to how it should be taught.

Downloads

Download data is not yet available.
Published
01-07-2009
How to Cite
Rodríguez Espinosa, J. (2009). Artistic Hybridation and Aesthetic Experience. Educatio Siglo XXI, 27(1), 195–216. Retrieved from https://revistas.um.es/educatio/article/view/71141
Issue
Vol. 27 No. 1 (2009): El currículum de Educación Primaria
Section
Artículos

Original work publishes in this journal is subject to the following terms:

1. Murcia University Press (the publishing house) holds the copyright of the publishes work, and favours and allows their reutilization under the use license stated in point 2.

© Servicio de Publicaciones, Universidad de Murcia, 2015

2.  Work is published in the electronic edition under a license (Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 España (legal text). They can be copied, used, disseminated, transmitted and publicly presented, as long as: i) authorship and original publication source is acknowledged (journal, publishing house and URL of the work); ii) are not used for commercial purposes; iii) the existence and specifications of this use license is stated.

3. Conditions for self-archive. Authors are allowed and encouraged to disseminate electronically the pre-pint (before review) and/or post-print (accepted for publication) versions of their work before their publication since that favours earlier circulation and dissemination resulting in an increased chance for the authors to be cited  and for the work to reach a bigger share of the academic community. Colour: RoMEO: green.