Artificial Intelligence in the music classroom. Experience and perception of specialist teachers in Secondary Education

Authors

DOI: https://doi.org/10.6018/educatio.623181
Keywords: Artificial intelligence; Musical Education; Faculty; High School; Education., Artificial intelligence, musical education, Faculty, High School, Education

Abstract

Nowadays classroom practice is heavily influenced by an increase in resources linked to Artificial Intelligence (AI), and music education is no exception. Teachers still find difficulties in achieving a balance between content and skills, but, without a doubt, the practical opportunities offered by AI in Secondary Education are motivating for students. The objectives of this investigation are to analyze the experience of teachers in AI, quantify the skills learned by students, and examine the training needs that allow for the didactic use of AI. The focus of this study was on the perception of specialist teachers of music in relation to the resources and utilities of AI. The study was carried out in the Autonomous Community of Madrid, with a random sample of 301 participants, all of them teachers in Secondary Education schools. A mixed, qualitative and quantitative, questionnaire was employed to gather data. Results revealed that almost 40% of the teachers had been in contact with AI tools, around 30% had received training, and, when asked about their knowledge of the educational legislation, 91% highlighted they did not know how AI was articulated legislatively. Regarding teachers’ demands in relation to AI, the most common ones referred to software management (60%), classroom resources (19%), and group dynamics (10%). More than 94% considered that it is necessary to increase training in resources linked to AI.

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Author Biographies

Vicenta Gisbert Caudeli, Universidad Autónoma de Madrid, Spain

Universidad Autónoma de Madrid, España

Facultad de Formación de Profesorado y Educación

Departamento Interfacultativo de Música (sección Pedagogía).

Marta Vela González, Universidad Internacional de La Rioja, Spain

Marta Vela (Coslada, 1985) is a pianist, writer and university professor. In parallel to a very intense activity in various artistic fields – interpretation, musical direction, cultural management, production of audiovisual content –, his lines of research deal with music and literature, interpretation and analysis, post-Tridentine vocal music and instrumental music of the 18th, 19th and 20th centuries; His articles have been published in numerous specialized magazines in Spain, Argentina, Chile, Venezuela, Colombia, Mexico and Costa Rica, among which the Revista de Occident stands out; On Radio Clásica he has presented and directed spaces such as “Music Topics” and “Music with Style”; His two books, Correspondences between music and words (Academia del Hispanismo, 2019) and The nine symphonies of Beethoven (Fórcola, 2020) have earned him nominations, in 2020 and 2021, for the Princess of Girona Award, in the Arts and Sciences category. Letters. His new book is titled La jota aragonesa: from Saint Petersburg to New York.

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Published
31-10-2024
How to Cite
Gisbert Caudeli, V., & Vela González, M. (2024). Artificial Intelligence in the music classroom. Experience and perception of specialist teachers in Secondary Education. Educatio Siglo XXI, 42(3), 97–114. https://doi.org/10.6018/educatio.623181
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