Hybridation as a form for an experience in continuous change
Abstract
Here, hybridisation as an art form is examined as an appropriate way of being able to speak about a world in constant metamorphosis, which is fragmented and without a central point. In order to study this phenomenon, we observe different movements and exhibitions, trying to track this form in dialogue with an opposite, the frontier, to finally determine a type of art which brings together representation and praxis of our environment, by also introducing to the variables the concept of identity, linked to documentary-style artistic practices. All of this will result in the need to differentiate two levels in the analysis and teaching of the work: a social level, which is linked to factors regarding reality recognition and creation, and an epistemic one, whereby it can be explained in terms of its capacity for communication.
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