Concept and object. The artist box as an interdisciplinary resource in primary education
Abstract
This article presents «The Box» as an artistic
object conceptualized as a didactic
material. Based on the Boîte-en-Valise by
Marcel Duchamp and the foundations of
conceptual art, the box as an artistic object
is conceived, within the teaching-learning
processes, as an active tool that can
become a container of concepts. In this
way, the «Artist Box» project aims to process
curricular aspects from an open, creative
perspective that promotes the achievement
of basic skills. After studying the
emergence and development of the box as
an artistic element throughout the twentieth
century, the results of a study carried
out with students of the Master’s Degree in
Primary Education at a Valencian University
will be reported. Drawing on the projects
carried out in the area of Artistic Education,
the creation process occurred is
described together with an the evaluation
which students provided by completing
questionnaires along the implementation
of the experience. The present study also
reports on some issues emerging from the
implementation of the same experiment
by Primary Education Degree students
with Primary School students at a Valencian
school. Finally, a questionnaire sent
to the teachers of that school are analyzed
in order to extract a series of considerations
on this artistic proposal as a possible
didactic material.
Downloads
Original work publishes in this journal is subject to the following terms:
1. Murcia University Press (the publishing house) holds the copyright of the publishes work, and favours and allows their reutilization under the use license stated in point 2.
© Servicio de Publicaciones, Universidad de Murcia, 2015
2. Work is published in the electronic edition under a license (Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 España (legal text). They can be copied, used, disseminated, transmitted and publicly presented, as long as: i) authorship and original publication source is acknowledged (journal, publishing house and URL of the work); ii) are not used for commercial purposes; iii) the existence and specifications of this use license is stated.
3. Conditions for self-archive. Authors are allowed and encouraged to disseminate electronically the pre-pint (before review) and/or post-print (accepted for publication) versions of their work before their publication since that favours earlier circulation and dissemination resulting in an increased chance for the authors to be cited and for the work to reach a bigger share of the academic community. Colour: RoMEO: green.