Different legs: life’s stories in the poetic of Beth Moysés

Authors

  • Cláudia Fazzolari
Keywords: gender, visual poetics, contemporary art, Beth Moysés

Abstract

The text proposes a reading of the broken realities of different women who went to the Women’s Delegation, in the city of São Paulo, Brazil, to denounce situations of domestic violence. The goal of this article is to present the singularity that this initiative presupposes by the analysis of the graphic work of Beth Moysés (artist and performer), who after living with these women in the delegation, depicts them as bodies divided by the social uneasiness that silences them nowadays, despite the fact that mass media lets them talk about their lives.

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References

Aizpuru, M. (2005). El cuerpo sometido: belleza y violencia. En VV.AA., La Costilla Maldita (s/n p.). Las Palmas de Gran Canaria: CAAM.

Canevacci, M. (1993). A cidade polifônica. Ensaio sobre a antropologia da comunicação urbana. São Paulo: Studio Nobel.

FazzolariI, C. (2006). Mulheres artistas: conceito e denúncia em Beth Moysés y Pilar Albarracín. En Ajzenberg, E. (org) Arteconhecimento. São Paulo: Museu de Arte Contemporânea da Universidade de São Paulo, MAC/USP.

Fundação Perseu Abramo (2001), A mulher brasileira nos espaços público e privado, en http://www.fpabramo.org.br [Consulta: 10 de febrero de 2009]

Guimarães Rosa, J. (1963). Grande Sertão: Veredas. Río de Janeiro: Editoral José Olympio

Moysés, E. (2004). Abrigo da memória. Campinas: Universidade Es-tadual de Campinas. Instituto de Artes.

How to Cite
Fazzolari, C. (2009). Different legs: life’s stories in the poetic of Beth Moysés. Art and Identity Policies, 1, 251–262. Retrieved from https://revistas.um.es/reapi/article/view/89491

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