Multiculturalism and diversity in animation cinema. Creation of cultural images
Abstract
In current film production there is a specific category of cinema that has certain parallels with the static image and that has been denominated by various authors as slow cinema, due to its characteristics. In the analysis of the origins and attributes of this type of image, this study starts with the cinematographic concepts introduced by Gilles Deleuze and the differences that he pointed out between what he called the movement image and the time image. The movement image is related to classical cinema and based on montage and action, while time image, on the other hand, presents a type of cinema that, according to this author, arises from the Second World War and whose characteristics are related to the prolonged duration of the shots and its independence in relation to the montage, as well as inaction and stillness. The possible causes of the emergence of this cinematographic image are also exposed, in addition to its later evolution in the following decades through various authors and artistic movements that finally gave shape to what has finally been called slow cinema. This analysis, lastly, allows to raise the hypothesis about the relationship between this type of cinematographic image and the tradition of the still image.
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