Maternity, art and precarity
strategies from vulnerability
Abstract
If the condition of precarity is tied to bodies as bodies, ¿how to speak of precarity from outside of the body, without being physically and materially traversed by it? ¿How to write about precarity and contemporary art from an objective position when all areas of your life are affected by it? In this article I understand precarity as a lack of protection, insecurity and vulnerability, but also as a position that generates alliances and as a place of production and theoretical enunciation.
My proposal, following the work of authors such as Butler, Ettinger, Lorey or Saldaña is that precarity and vulnerability can become spaces of resistance and enable other forms of subjectivation. Care and interdependence challenge the notions of autonomy and independence in which the political subject (white and masculine) inherited from modernity is based and open the way for forms of subjectivation that are articulated on the feminine position, and on other possible logics and sensitivities.
Downloads
References
Bourdieu, P. (1999). Contrafuegos. Reflexiones para servir a la resistencia contra la invasión neoliberal. Barcelona, España: Anagrama.
Butler, J. (2006). Vida precaria. El poder del duelo y la violencia. Buenos Aires, Argentina: Paidós.
--------- (2009). Marcos de guerra: las vidas lloradas. Barcelona, España: Paidós Ibérica.
--------- (2017). Cuerpos aliados y lucha política. Hacia una teoría performativa de la Asamblea. Barcelona, España: Paidós.
--------- (2017). Vulnerabilidad corporal, coalición y la política de la calle. Nómadas46, 13-29. doi: https://dx.doi.org/10.30578/nomadas.n46a1
Deleuze G. (1990). What Can a Body Do?. En G. Deleuze, Expressionism in Philosophy: Spinoza (pp. 217-289). New York, USA: Zone Books.
Ettinger, B.L. (2006). The Matrixial Borderspace. B. Massumi (Ed.). Minnesota, USA University of Minnesota Press.
-------- (2015). And My Heart Wound-space With-in Me. The Space of Carriance. In And My Heart Wound Space. Leeds, USA: Wild Pansy Press and 14th Istanbul Biennial.
Foucault, M. (1999). Estética, ética y hermenéutica. Buenos Aires, Argentina: Paidós.
Haraway, D. (1995) Ciencia, cyborgs y mujeres: la reinvención de la naturaleza. Madrid, España: Cátedra.
Harding, S. (2002). ¿Existe un método feminista? En E. Bartra (Comp.) Debates en torno a una metodología feminista (pp. 9-34). Ciudad de México, México: Ed. UNAM.
Lorey, I. (2008). Gubernamentalidad y precarización de sí. Sobre la normalización de los productores y las productoras culturales. En Producción cultural y prácticas instituyentes. Líneas de ruptura en la crítica institucional (pp. 57-78). Madrid, España: Traficantes de sueños.
-------- (2016). Estado de inseguridad. Gobernar la precariedad. Madrid, España: Traficantes de sueños.
Ludmer, J. (1985). Tretas del débil. En P. González y E. Ortega (Eds.), La sart én por el mango. Encuentro de escritoras latinoamericanas. Río Piedras, Puerto Rico: Ediciones Huracán.
Moraga, C., y Anzaldúa, G. (1981). This bridge called my back: Writings by radical women of color. Watertown, USA: Persephone Press.
Pérez Ibáñez, M. y López-Aparicio, I. (2017). La actividad económica de los/las artistas en España. Estudio y análisis. Madrid, España: Fundación Antonio de Nebrija.
--------- (2018). Actividad artística y precariedad: la situación económica de los/las artistas en España a partir de un estudio global. VIII Workshop en Economía y Gestión de la Cultura. Universidad de Sevilla, España 1-23. https://gestioneventos.us.es/_files/_event/_16604/_editorFiles/file/ACTIVIDAD_ART_STICA_Y_PRECARIEDAD_8WCEM.pdf
Saldaña, J. (2012). La plaza como práctica citacional. Debate Feminista, 23(46), 19-20.
Zafra, R. (2017). El entusiasmo. Precariedad y trabajo creativo en la era digital. Barcelona, España: Anagrama.
Works published in this journal are subject to the following terms:
- The Service of Publications from the University of Murcia (publishing house) keeps the published works’ copyrights, and favors and allows the reuse of these works under the license indicated in point 2.
- Works are published in the journal’s online edition under the license Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 España(texto legal). They can be copied, used, disseminated, transmitted and publicly exhibited, as long as: i) the author and original source of publication are cited (journal, publishing house and work’s URL); ii) they are not used for commercial purposes; iii) the existence and specifications of this license are mentioned.
3. Conditions for auto-file. It is allowed and encouraged that authors share electronically their pre-print version (the pre-reviewed version) and /or post-print version (the reviewed and accepted version) of their Works before the publication, since it promotes its circulation and dissemination. RoMEO color: green.