In/Out, Audiovisual Experimentation on the Margins of the Industry: The Case of #Littlesecretfilm.

Authors

  • Cristina Pujol Ozonas Universidad Autónoma de Barcelona.
Keywords: Creative economy, precariat, new technologies, cultural industries, young filmmakers.

Abstract

The article presents an analysis of the economic and socio- cultural context of Spanish “low cost cinema”—film production outside the industry. Beyond the realm of aesthetics, the experimental character of these digital productions lies in their ability to adapt to a sector, the audiovisual industry, in a deep crisis vis-a-vis the ways of viewing and consuming cinema that the new technologies allow. This article reflects on the experience of workers in the creative economy—young independent filmmakers who are making use of new technologies as means to access the mainstream cultural industries. It further explores the problems and ambiguities of such processes, which seem open and democratic but somehow retain patterns of exclusion that seemed superseded.

Downloads

Download data is not yet available.

References

Alfrey, L.M. (2010). The search for authenticity: how hipsters transformed from a local subculture to a global consumption collective. (Tesis de Master) MA in Communication, Culture and Technology, Georgetown University.

Bauman, Z. (1999). Modernidad líquida. Buenos Aires: Fondo de Cultura Económica.

Beck, U. (2000). The Brave New World of Work. Cambridge: Cambridge University Press.

Bourdieu, P. (1999). La distinción. Criterio y bases sociales del gusto. Madrid: Taurus.

Castells, M. (2002). La Era de la Información. Vol. I: La Sociedad Red. Madrid: Alianza.

Florida, R. (2010). La clase creativa: la transformación de la cultura, del trabajo y del ocio en el siglo XXI. Barcelona: Paidós.

Gould-Kavet, A. (2012) The Demise of the Subcultural Identity: Towards a Postmodern Theory of the Hipster and Hipster Style. Unpublished paper.

Hebdige, D. (2004). Subcultura. El significado del estilo. Barcelona: Paidós.

Jenkins, H. (2008). Convergence Culture. Where Old and New Media Collide. New York University Press.

McRobbie, A. (2002). From Club to Companies. Notes on the Decline of Political Culture in Speeded Up Creative Worlds. Cultural Studies, 16(4), 516-531.

Pujol, C. (2011). Fans, cinéfilos y cinéfagos. Una aproximación a las culturas y los gustos cinematográficos. Barcelona, UOC.

Reynolds, S. (2011). Retromania: Pop Culture’s Addiction to Its Own Past. Nueva York: Faber and Faber.

Sennet, R. (2006). La cultura del nuevo capitalismo. Barcelona: Anagrama.

Standing, Guy (2011). The Precariat. The New Dangerous Class. Nueva York y Londres: Bloomsbury.

Wittel, A. (2001). Towards a Network Sociality. Theory, Culture and Society, 18 (6), 51-77.

How to Cite
Pujol Ozonas, C. (2013). In/Out, Audiovisual Experimentation on the Margins of the Industry: The Case of #Littlesecretfilm. Art and Identity Policies, 8, 185–199. Retrieved from https://revistas.um.es/reapi/article/view/191711