Spoken Films
Abstract
Gathering several conversations with four Spanish filmmakers, this text seeks to create a space for discussion on the nature of the cinema made in a particular geographical enclave at a particular time—our time. The text does not intend to harmonize or establish relations of subordination or dependency among the four exchanges that compose it. It seeks to preserve some of the spontaneity and loose structure of the original oral dialogues. These revolved mainly around working processes and what the different filmmakers take to be the nature of the medium. While they seek to document and account for the variety of approaches engaged in by the filmmakers that have collaborated in the text and have offered their testimony, it also proposes new ways of imagining the cinematic.Downloads
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