ITINERARIO ESCULTÓRICO OCHOCENTISTA. PASEO POR EL AMOR, LA VIDA, LA MUERTE: LA REALIDAD O ILUSIÓN. (HOMENAJE AL JOVEN DE CNIDO)

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  • Dora Nicolás Gómez
Parole chiave: escultura, monumento, modelo natural, siglo XIX

Abstract

This article presents a,first reflection on the progressive abandoning of the natural model as the reference-point, for western sculpture. The human being. and all living-beings in general, are no longer the only object and subject of sculpture. The naturalist, or humanist approach, has its last flowering in 18th century sculpture. but it is also the almost definitive expression of a farewell to the fidelity to the natural model.

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Come citare
Nicolás Gómez, D. (1997). ITINERARIO ESCULTÓRICO OCHOCENTISTA. PASEO POR EL AMOR, LA VIDA, LA MUERTE: LA REALIDAD O ILUSIÓN. (HOMENAJE AL JOVEN DE CNIDO). Imafronte, (12-13). Recuperato da https://revistas.um.es/imafronte/article/view/38911
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