Comparativism in Literary and Musical Education. A Proposal in Methodological Innovation
Abstract
One of the main goals which Literature and Music teachers intend to achieve is, respectively, the improvement of students’ reading ability and the fostering of critical analysis while listening to music. However, teachers have been noticing an increasing lack of motivation for the practice of both reading and listening to musical pieces. On the other hand, there exists a powerful relationship between Literature and Music, as different means of expression, which has become apparent throughout History in numerous artistic works. Nevertheless, Didactics of Literature and Didactics of Music have not yet been able to exploit this richness in their syllabi. In this sense this paper puts forward comparativism between musical and literary works as a didactic model, both in the teaching of Literature and Music. Hence it proposes including, in the syllabi of both subjects, objectives which favour the development of interdisciplinarity. In this way, we would achieve motivating learning through “musical reading” and “literary listening”.
This proposal tries to rethink the orientation and contents of curricula, with the aim of putting into practice an innovating teaching methodology based on the analysis of the intertextual links between both arts.
Downloads
Original work publishes in this journal is subject to the following terms:
1. Murcia University Press (the publishing house) holds the copyright of the publishes work, and favours and allows their reutilization under the use license stated in point 2.
© Servicio de Publicaciones, Universidad de Murcia, 2015
2. Work is published in the electronic edition under a license (Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 España (legal text). They can be copied, used, disseminated, transmitted and publicly presented, as long as: i) authorship and original publication source is acknowledged (journal, publishing house and URL of the work); ii) are not used for commercial purposes; iii) the existence and specifications of this use license is stated.
3. Conditions for self-archive. Authors are allowed and encouraged to disseminate electronically the pre-pint (before review) and/or post-print (accepted for publication) versions of their work before their publication since that favours earlier circulation and dissemination resulting in an increased chance for the authors to be cited and for the work to reach a bigger share of the academic community. Colour: RoMEO: green.