Arte en red: algunas indagaciones sobre creación, experimentación y trabajo compartido
Resumen
Los experimentos con arte en red se han multiplicado a lo largo de las últimas tres décadas por el uso que los artistas hacen de diferentes formas de realización, producción y distribución. Nos proponemos aportar algunas indagaciones acerca de la creación, el proceso, la experimentación y el trabajo compartido en red dentro de la diversidad de la producción contemporánea.Descargas
Citas
ANDERS, Peter.(2001) Toward an Architecture of Mind. In: CAiiA-STAR Symposium: Extreme parameters. New dimensions of interactivity.Arteleku. Y+Y+Y Arte y ciencias de la complejidad. Avaiable at http://www.arteleku.net/4.1/seccion.jsp?id_seccion=2&id_articulo=2557&idioma=castellano&ids=id1=2557 2009. Acessado em 2009.
ASCOTT, Roy (2003)Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. University of California Press.
DUGUET, Anne-Marie (2002) Déjouer l’image. Créations électroniques et numériques. Nîmes: Edition Jacqueline Chambon.
FOREST, Fred (2008)Art et Internet. Paris: Editions Cercle d’Art.
FRAGOSO, Maria Luiza ()(Org.). [Maior e igual a 4D] arte computacio-nal no Brasil: reflexão e experimentação. Brasília: UnB; PPGIA, .
GALLOWAY, Anne; WARD, Matthew. (2005) Locative Media As Social-ising And Spatializing Practice: Learning From Archaeology. Leonardo Electronic Almanac, MIT Press, 2005. Disponível em http://www.purselip-squarejaw.org/papers/galloway_ward_draft.pdf . Accessed in 10/2009.
GARCÍA, Iliana Hernández(2002) Mundos virtuales habitados: espacios electrónicos interactivos. Bogotá: CEJA.
GIANNETTI, Claudia(2001)Link_Age - Muestra de arte participativo on-line y off-line, Centro Cultural Cajastur, Gijon,catálogo.
HEMMENT, Drew Locative Arts, 2004, avaiable at http://www.loca.org.uk Accessed in 2009.
KWON, Miwon(2004) One Place after Another: Site-Specific Art and Locational Identity. Massachusetts: MIT Press.
LEMOS, André(2008)“Mobile Communication and new sense of places: a critique of spatialization in cyberculture” in Galáxia (PUCSP), v. 16, pp. 91-10.
LOVINK Geert; GARCIA David O ABC da mídia tática. Avaiable at: <http://www.midiaindependente.org/pt/red/2003/03/249849.shtml>.Ac-cessed in 10/2009.
MACHADO, Arlindo (Org.). Made in Brasil: três décadas do vídeo brasileiro. São Paulo: Itaú Cultural, 2003.
MELLO, Christine. Extremidades do Vídeo. São Paulo: Senac, 2008.______. “Net Art” in 25ª Bienal de São Paulo – Iconografias Metropolita-nas – Brasil (curador Agnaldo Farias), catálogo, 2002, pp. 162-184.
PRADO, Gilbertto. Arte telemática: dos intercâmbios pontuais aos ambi-entes virtuais multiusuário. São Paulo: Itaú Cultural, 2003.
______. Artistic experiments on telematic nets: recent experiments in multiuser virtual environments in Brazil. Leonardo, Cambridge, v. 37, n. 4, p. 297-303, 2004.
______. “Apontamentos para o game Cozinheiro das Almas”, in SAN-TAELLA, Lucia; ARANTES, Priscila. Estéticas Tecnológicas: Novos modos de sentir. São Paulo: Educ, 2008.
Works published in this journal are subject to the following terms:
- The Service of Publications from the University of Murcia (publishing house) keeps the published works’ copyrights, and favors and allows the reuse of these works under the license indicated in point 2.
- Works are published in the journal’s online edition under the license Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 España(texto legal). They can be copied, used, disseminated, transmitted and publicly exhibited, as long as: i) the author and original source of publication are cited (journal, publishing house and work’s URL); ii) they are not used for commercial purposes; iii) the existence and specifications of this license are mentioned.
3. Conditions for auto-file. It is allowed and encouraged that authors share electronically their pre-print version (the pre-reviewed version) and /or post-print version (the reviewed and accepted version) of their Works before the publication, since it promotes its circulation and dissemination. RoMEO color: green.
