El cine hecho por palestinas; una mirada en continua revolución
Resumen
El cine hecho por palestinas; una mirada en continua revolución: Antes de la década de los ochenta el cine palestino era en su mayoría documental de intervención o testimonial, ligado a la OLP. Actualmente un gran número de mujeres cineastas nacidas en Palestina o hijas de aquellos que tuvieron que emigrar por el conflicto, defienden la identidad de este pueblo y la suya propia realizando películas documentales y de ficción a pesar de las dificultades por el simple hecho de ser mujer.Descargas
Citas
AA.VV(2004): Palestinian film festival planned, BBC.
Al-Zubaidi, Kais(2006):Palestine in the cinema.
Annemarie Jacir(2007): Coming Home: Palestinian Cinema, The Electronic Intifada.
Dabashi, Hamid(2006): Dreams Of A Nation: On Palestinian Cinema, Verso Books.
Elena, Alberto(1999).Los cines periféricos.Paidós, Barcelona.
Escudero, Rafael(2005): Intervención divina,Tyrant lo Blachn.
Gertz, Nurith; Khleifi,George( 2008): Palestinian Cinema: Landscape, Trauma, and Memory, Indiana University Press.
Kemp, Rebecca(2006): Interviews with Palestinian Filmmakers, 6 Degrees Film.
Khadija Habshneh(2007): Palestinian Revolution Cinema,
Khaled Elayya(2007):A Brief History of Palestinian Cinema,Marks, Laura( ): What Is That and between Arab Women and Video? The Case of Beirut,Camera Obscura, ): Requesting Permission to Narrate: Dreams of a Nation: On Palestin-ian Cinema, Stop Smiling Magazine, Rapfogel, Jared(2003 ): A Report of Dreams of a Nation - A Palestinian Film Festival,Senses of Cinema.
Rastegar, Kamran( 2006): Palestine Only Exists in Cinema, Bidoun Maga-zine.
Works published in this journal are subject to the following terms:
- The Service of Publications from the University of Murcia (publishing house) keeps the published works’ copyrights, and favors and allows the reuse of these works under the license indicated in point 2.
- Works are published in the journal’s online edition under the license Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 España(texto legal). They can be copied, used, disseminated, transmitted and publicly exhibited, as long as: i) the author and original source of publication are cited (journal, publishing house and work’s URL); ii) they are not used for commercial purposes; iii) the existence and specifications of this license are mentioned.
3. Conditions for auto-file. It is allowed and encouraged that authors share electronically their pre-print version (the pre-reviewed version) and /or post-print version (the reviewed and accepted version) of their Works before the publication, since it promotes its circulation and dissemination. RoMEO color: green.