Hackear el sistema operativo del arte: nuevas formas de resistencia al trabajo en Strike (2010) de Hito Steyerl
Resumen
El siguiente ensayo se centra en el ámbito digital para examinar el modelo de trabajo en la Nueva Economía, investigando cómo la tecnología y sus mecanismos de vigilancia generan y explotan subjetividad. Para ello, reconsidero la obra de Hito Steyerl Strike (2010) como una llamada a subvertir el poder biopolítico de las tecnologías de la información. Mi análisis de la obra de Steyerl busca desvelar las implicaciones sociales y materiales de lo tecnológico, el trabajo no remunerado que sustenta Internet y el sistema de dominación ejercido por el capitalismo de la vigilancia, que se lucra con el tráfico de datos y la modificación de la conducta. Frente a esto, sostengo que Strike (2010) propone una reapropiación de la máquina como forma de huelga. Así, la pieza de vídeo de Steyerl sirve como punto de partida para rastrear prácticas artísticas intervencionistas que, a través del tactical media y el hacking, tratan de invertir los mecanismos de vigilancia de la red, revelando su potencial como gestos de disidencia dentro de un mundo del arte cada vez más informatizado.
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