Imágenes psicodélicas en The Holy Mountain (1973). Un análisis e interpretación del clásico de culto de Alejandro Jodorowsky

Autores/as

DOI: https://doi.org/10.6018/imafronte.618621
Palabras clave: The Holy Mountain, Alejandro Jodorowsky, Psychedelic Cinema, Psychedelic Art, Surrealism, Psychedelics, Psychoanalysis

Resumen

El clásico de culto la montaña sagrada de Alejandro Jodorowsky se estrenó en 1973 y desde entonces ha disfrutado de un creciente estatus de culto, alimentado aún más por el reciente movimiento renacentista psicodélico. Con un tono humorístico, la montaña sagrada incorpora las ideas y valores de su época tales como el reto a las autoridades vigentes, y el rechazo a los cánones de vida tradicionales mediante la exploración de filosofías alternativas como las religiones orientales, la alquimia, la astrología y el tarot. Rica en imágenes psicodélicas arraigadas en la tradición psicoanalítica, la película sirve como una representación de la contracultura del momento. Con propósito de este artículo, revisaremos, analizaremos e interpretaremos el simbolismo mostrado en esta la montaña sagrada, que explora importantes temas pertinentes a la cultura visual psicodélica, tales como la descripción de diferentes sustancias y ceremonias psicodélicas, filosofías de la contracultura psicodélica, exploración del trauma, deconstrucción de las normas sociales y los efectos terapéuticos de las sustancias psicodélicas.

 

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Publicado
11-04-2025
Cómo citar
Espí Forcén, F. (2025). Imágenes psicodélicas en The Holy Mountain (1973). Un análisis e interpretación del clásico de culto de Alejandro Jodorowsky. Imafronte, (32), 182–193. https://doi.org/10.6018/imafronte.618621
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