EL CINE DE JUAN ANTONIO BARDEM Y LA CENSURA FRANQUISTA (1951-1963): LAS CONTRADICIONES DE LA REPRESIÓN CINEMATOGRÁFICA

  • Juan Francisco Cerón Gómez
Palabras clave: cine español, Juan Antonio Bardem, censura, franquismo

Resumen

This paper deals with the attitude taken by the franquist political power towards the work of one director, Juan Antonio Bardem, a communist militant. His films were charucierised by their acuted observation and critique of the society of his time. This article seeks to investigate how these films were trerated by the franquist censorhip and what funds were received, from the administration. The conclusion which has been reached is that the franquist regime used censorhip to multilate Bardem's works, but. at the same time, once this bureaucratic operation had been completed . generous state and was given to his films. This paper attempts to outline some explanations for this apparently contradictoty behaviour by the them film authorities.
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