César Atahuallpa Rodríguez: la interiorización poética postmodernista peruana
Abstract
Resumen
El postmodernismo peruano comienza en 1911 con la publicación de Simbólicas de Eguren y finaliza con los Heraldos negros de Vallejo en 1918. En este artículo se va a analizar la vida y la poesía de César Atahuallpa Rodríguez, uno de los autores más genuinos de la corriente postmodernista insurrecta de Perú. El objetivo de este artículo es dar luz sobre la vida y la obra de este gran poeta y aportar datos para una mejor comprensión de su poesía. Vamos a analizar los puntos más novedosos basándonos en los parámetros de la crítica literaria y de la literatura comparada. El resultado principal es la demostración en su estética del uso de la mezcla de lo tensivo-intensivo en este autor que nos brinda un conocimiento más profundo y sistemático de su obra.
Palabras clave: Literatura; Postmodernismo; poesía; Perú; César Atahuallpa Rodríguez.
Abstract
The Peruvian postmodernism begins in 1911 with the publication of Symbolicas of Eguren and finishes with the Heraldos negros of Vallejo in 1918. In this article we go to analyze the life and the poetry of César Atahuallpa Rodríguez, one of the most genuine authors of the rebellious postmodernist poetry of Peru. We want to give more information about the poetry of this author for a better comprehension of its poems. We are going to analyze the most important points using the parameters of the literary criticism and of the compared literature. The main result is the demonstration of the artistic use of the miscellany of the tensive-intensive syyle in this author who offers to us a deeper and systematical knowledge of its work.
Key words: Literature; Postmodernism; poetry; Peru; César Atahuallpa Rodríguez.
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