Commercial advertising as a transmitter of identity elements: Some examples of the murcian ephemera at the beginning of the 20th century
Abstract
One of the less treated sections of the visual representations of Murcia has been the comercial ephemera. For this reason, given its limited and fleeting use, it has often not been considerated as a valvable section in the history of art. But the truth is that the labels of canning factories, fruits, liquors and other establishments, from the last years of the 19th century based on the design spread the most significant identity elements of this territory throughout Spain and the rest the world. In the majority of cases, the advertising brand was based on prints and images of Murcian romantic costums that had already been consolidated during the 19th century for the social demand of this currens, in other cases they were adapted to the new aesthetic criteria of the 20th century. Finally, this way of advertising each product helped to panted the denomination of origin of various companies, mainly agry-food, and at the same time to assimilate it with this southeast region thanks to its architectural landmarks, the orchard or its popular types. This last premise is the one we will address within this study when contrasting them other previous representations.
Downloads
References
Cánovas Belchí, J. (2016). Murcia en el imaginario fílmico francés: Adaptaciones cinematográficas de María del Carmen (Felíu y Codina, 1896) en la industria gala: Aux Jardins de Murcie (1923 y 1936). En El Greco en su IV Centenario: patrimonio hispánico y diálogo intercultural, 303-324.
Cos-Gayón, F. (1863). Crónica del viaje de sus Majestades y Altezas Reales a Andalucía y Murcia en septiembre y octubre de 1862. Madrid: Imprenta Nacional.
Álvaro Hernández Vicente, A. (2018). Don Diego Saavedra Fajardo: actos y festejos en la ciudad de Murcia por el tercer centenario de su nacimiento. En Yngenio et arte: elogio, fama y fortuna de la memoria del artista, 376-395.
Martínez Carrión, J.M. (1999). Agricultores e industriales en el negocio del pimentón, 1830-1935. Revista de Historia Económica, 1, 149-186.
Martínez Carrión, J.M. (2002). Economía de la Región de Murcia. Murcia: Consejería de Educación y Cultura de la Comunidad Autónoma de Murcia.
Ortiz García, C. (2012). Folclore, tipismo y política. Los trajes regionales de la Sección Femenina de la Falange. Gaceta de antropología, 28, s.p.
Páez Burruezo, M. (2012). Un ciclo pictórico regional. Murcia 1800-1930. Murcia: Pictografía.
Pérez Picazo, M. T. (1980). Historia. En Historia de la Región de Murcia. Murcia: Ediciones Mediterráneo, 1-179.
Ramos Frendo, E. M. (2008). Iconos del mundo clásico en la publicidad de las revistas ilustradas españolas (1915-1935). Imafronte, 19-20, 325-338.
Ramos Pérez, R. (2002). Ephemera: la vida sobre el papel. Introducción. En Centro Virtual Cervantes: https://cvc.cervantes.es/artes/muvap/sala4b/introduccion.htm
Ramos Pérez, R. (2011). El arte de la belleza. Madrid: Biblioteca Nacional de España.
Copyright (c) 2020 José Miguel López Castillo
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.