EL RETABLO DEL SIGLO XVII EN CÓRDOBA
Abstract
To Córdoba, the XVIIth century represents a stage of splnidour as far as regards retablemaking activity. This is a srage opened by the great main retable in the cathedral of córdoba, carved in marble according to a project by the Jesus Brarher Alonso Marías. Parish churches, like those in Santaella and Montemayor, are going ro follorit its example in the firsr half of the century. During this time, other schemes are going to assert themselves too as in certain retables in conventual Carmelite churches (an example: Sr. Joseph's retable in Lucetiu). By the middle of the century, a clear evolution is observeti in the retable of Sr. Anne, in Montilla, a work by Bals de Escobar, the influence of wich we perceive in other works of this areu. It the last quarter of the century. the twisted column retable assert itself in Córdoba and other main places of its province, like Lucena. Francisco Hurtado Izquierdo, a real protagonist of the transition from the XVIIth to the XVIIIth century, became rrained here.Downloads
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.
