Heritage resources in tourism today. The case of the historical center of Yecla (Murcia)
Abstract
The coexistence between artistic and cultural past of the city of Yecla (Murcia) with the contemporary usage of its patrimonial elemets is the fundamental objetive of this work. The so called cultural tourism, in all its forms, has now become a funamental economic resource for local administration. For that reason we suggest a touristic route based on the knowledge of the origin and evolution of the history and art of the city througt the use of the patrimonial resources that the city holds, ia a pleasant way but still based on the precision of the investigations done.
This route will be incorporated to the cultural offer of Yecla adding offer to the demands of the diferent local and foreing touristic targets. It also introduces the urban context as main backbone. Finally, this route will provide a tool that will allow to know new elements of the great value so far forgotten and left in an unfortunate preservation condition on top of enhancing the value of important properties already well recognised in the heritage of Yecla.
Downloads
References
BLÁZQUEZ MIGUEL, J. Yecla en su Historia. Desde los primeros pobladores hasta la Guerra de la Independencia. Vol. I, Editorial Arcano, Toledo, 1989, p. 59.
BLÁZQUE MIGUEL, J. Yecla en tiempo de Felipe II (1556-1598), Imprenta La Levantina, Yecla, 1981, p.39.
DELICADO MARTÍNEZ, F.J. La Iglesia de la Asunción de Yecla (Murcia, Yakka, Revista de Estudios Yeclanos, Número 14, 2004, pp. 59-80.
DELICADO MARTÍNEZ, F.J. La plaza mayor de Yecla: arquitectura y urbanismo, Archivo de arte valenciano, Nº 70, 1991, pp. 26-29
DELICADO MARTÍNEZ, F.J. Arquitectura Renacentista en Yecla (Murcia). Príncipe de Viana, Nº 12, 1991, pp. 153-160.
DELICADO MARTÍNEZ, F.J. El antiguo Hospital de la Caridad e iglesia aneja de Nuestra Señora de los Dolores, de Yecla (Murcia): Mecenazgo, espacio arquitectónico y patrimonio mueble, Archivo de arte valenciano, Nº 92, 2011, pp. 106-142.
DELICADO MARTÍNEZ, F.J. Arquitectura neoclásica en Yecla. La iglesia de la Purísima, Yakka, Revista de Estudios Yeclanos. Nº 17, 2007-2008, pp. 29-86.
DELICADO MARTÍNEZ, F.J. El convento de franciscanos de Yecla, una fundación del siglo XVI, Yakka, Revista de Estudios Yeclanos, Nº 13. Yecla, 2003, pp. 85-114.
DELICADO MARTÍNEZ, F.J . Una aproximación al mudéjar del siglo XVI murciano: la ermita de San Roque y San Sebastián de Yecla, Yakka, Revista de Estudios Yeclanos, Nº 5, 1994, pp. 91-106.
GARCÍA CUETOS, M.P. El patrimonio cultural: conceptos básicos, Prensas Universitarias de Zaragoza, Zaragoza, 2011, p.13.
MARTÍNEZ RUIZ, J.M. “Azorín”, La Voluntad, Cátedra, Madrid, 1997, p. 120.
ORTUÑO PALAO, M. y ORTÍN MARCO, C. Las calles de Yecla, Ediciones del Azar S.L., Barcelona, 2003, p.68.
RUIZ IBÁÑEZ, F.E. Yecla. Repertorio Heráldico en Repertorio de Heráldica de la Región de Murcia, nº45, Editorial KR, Murcia, 2001,Pág.101
SORIANO HERNÁNDEZ, A. El programa iconográfico de la Iglesia Vieja, Yakka, Revista de Estudios Yeclanos, AÑO XXI- Número 18, 2009-2010, pp. 27-69.
TROTIÑO VINUESA M. Á. y TROTIÑO TORRALVA, L.Patrimonio y turismo: reflexión teórico- conceptual y una propuesta metodológica integradora aplicada al municipio de Carmona (Sevilla, España), Scripta Nova, vol.XX, núm.543, 2016, p.15.
Archivo General de Simancas, Reg, Gral. Sello I, 1443,fol. 585; Ibídem, I, 1446, fol. 631
Copyright (c) 2020 Alicia Soriano Hernández
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.