The place where the Total Work of Art comes true. La conexión entre Richard Wagner y los parques Disney
Abstract
Today certain terms such as hybridization, transmedia storytelling, intertextuality, etc. dominate the visual arts due to the convulsive nature of the postmodern era and its opposition to absolute truths. The purpose of this article, based on previous PhD thesis research, is to highlight the relationship between two ways of understanding hybridization in spheres which are widely separated in time as well as in terms of their place within the art world: Richard Wagner’s Total Art concept and the ideas behind Walt Disney’s theme parks. We shall analyze the similarities between both artists and build a bridge between the art of the elite and the art of the masses.
Downloads
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.
