Juan de Valdés y Miguel Ángel. Una aproximación a la teología del arte
Abstract
Convinced of the profound relevance of the idea as main vehicle and founder of art, we tackle the study of Michelangelo’s art work from a multidisciplinary perspective, referring the transcendental and dogmatic inheritance of Juan de Valdés and its impact in Italy in 1530`s decade. Teology becomes an extraordinary engine of transmission in order to consolidate the validity of the form and the style of its period, and illuminates the esthetic paradigm of the inspiration’s concept. We will analyze, through an intricate complex of phenomenos such us the transmission of ideas and the figurative concretion, specialy the possible links between Juan Valdés, Vittoria Colonna and Buonarroti, according to a Spanish table attributed to the master and kept in La Rioja.Downloads
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.