Franquismo y exportación cultural. El caso de la exposición de arte español en Buenos Aires, 1947. Un análisis desde el punto de vista de “lo español”
Abstract
Study of the contemporary Spanish art exhibition in Buenos Aires in 1947, one of the first events in which we can trace the exploitation of the avant-garde by the Franco regime. Analysis of organizational issues and art selection, as well as research of the critics’ reviews based on the original sources. Updating of the historiography appeared around it and suggestion of new interpretative parameters from the point of view of “the spanishness”.Downloads
1. The authors non-exclusively assign the exploitation rights (reproduction, distribution, communication and transformation) to the magazine.
2. The works published in this magazine are subject to the Attribution-ShareAlike 4.0 International license (CC By SA 4.0). Therefore, they can be copied, used, disseminated, transmitted and publicly displayed, provided that:
i) the authorship and the original source of its publication (journal, editorial and URL of the work) are cited, thus allowing its recognition.
ii) it is allowed to remix, transform or create from the material while maintaining the same license as the original.
3. Self-archiving conditions. Authors are allowed and encouraged to electronically disseminate the pre-print (version before being evaluated) and/or post-print (version evaluated and accepted for publication) versions of their works before publication, as it favors their publication. Earlier circulation and diffusion and with it a possible increase in its citation and reach among the academic community. Color RoMEO: verde.
