Before I Say Goodbye

Autobiography and Closure in Alice Munro's “Finale”

Authors

  • Iris Lucio-Villegas Spillard Universidad de la Rioja and Universidad Rey Juan Carlos
DOI: https://doi.org/10.6018/ijes.475711
Keywords: Alice Munro, Canadian literature, Short story, "Finale", Female narrative, Autobiography, Mother-daughter dyad

Abstract

Alice Munro published in 2012 her last collection of short stories, Dear Life, which includes “Finale”, a quartet of stories introduced by the author in semiautobiographical terms. The relevance of the themes addressed is, as may be inferred, significant in relation to her life and previous work. In fact, they echo her first two collections of short storiesDance of the Happy Shades (1968) and Lives of Girls and Women (1971)— not only in motifs and events, but also in style. This paper analyses and compares this last section —Munro’s conclusive contribution to the literary world— with her early work to establish joint features and similarities in order to support and extend the often-claimed autobiographical dimension of Munro’s fiction from this unexplored perspective. In addition, this process of analogy has recognised the author’s literary and emotional closure in relation to her mother, a hitherto elusive endeavour in her work.

Downloads

Download data is not yet available.

Author Biography

Iris Lucio-Villegas Spillard, Universidad de la Rioja and Universidad Rey Juan Carlos

The author holds a BA in Hispanic Studies, an MA in Teaching, and an MA in English Studies. He/she is currently working on a PhD on Alice Munro. He/she teaches English language history, English didactics, and translation theory and practice at a Spanish university. She has also worked as a translator of academic texts for twenty years.

References

Atwood, M. (2016). “Lives of Girls and Women”: A portrait of the artist as a young woman. In D. Staines (Ed.), The Cambridge Companion to Alice Munro (pp. 96-115). Cambridge: Cambridge University Press.

Benstock, S. (1988). The Private Self: Theory and Practice of Women’s Autobiographical Writings. Chapel Hill: University of North Carolina Press.

Borges, J. L. (1993/1941). El jardín de senderos que se bifurcan. Barcelona: Biblioteca de Literatura Universal.

Brodzki, B. (1998/1988). Mothers, Displacement, and Language. In S. Smith & J. Watson (Eds.), Women, Autobiography, Theory: A Reader (pp. 156-159). Madison: University of Wisconsin Press.

Bruckner, D. J. (1990, April 17). An Author Travels to Nurture Ideas About Home. The New York Times on the Web. Retrieved 29 March, 2020 from https://archive.nytimes.com/www.nytimes. com/books/98/11/01/specials/munro-travels.html.

Buchholtz, M. (2015). Alice Munro's Legacy: The "Finale" of Dear Life. Commonwealth Essays and Studies, 37(2), 69-77.

Burszta, J. (2016). Images of Past and Present: Memory and Identity in Alice Munro's Short-Story Cycles. In M. Buchholtz (Ed.), Alice Munro: Understanding, Adapting and Teaching (pp. 23-35). New York: Springer.

Carscallen, J. (1993). The Other Country: Patterns in the Writing of Alice Munro. Toronto: ECW Press.

Cosslett, T., Lury, C., & Summerfield, P. (2000). Feminism and Autobiography: Texts, Theories, Methods. London and New York: Routledge.

Cox, A. (2004). Alice Munro. Tavistock: Northcote House Publishers.

DeFalco, A. (2012). Caretakers/Caregivers: Economies of Affection in Alice Munro. Twentieth Century Literature, 58(3), 377-398. doi: 10.1215/0041462X-2012-4001.

DeFalco, A. & York, L. (2018). Introduction: Risking Feeling: Alice Munro's Fiction of "Exquisite Shame". In A. DeFalco & L. York (Eds.), Ethics and Affects in the Fiction of Alice Munro (pp. 1-12). Cham: Palgrave Macmillan.

Edemariam, A. (2003, October 4). Alice Munro: Riches of a double life. The Guardian. Retrieved 9 May, 2020 from https://www.theguardian.com/books/2003/oct/04/featuresreviews.guardianreview8.

Feinberg, C. (2001, December 1). Bringing Life to Life. The Atlantic. Retrieved 18 May, 2020 from https://www.theatlantic.com/magazine/archive/2001/12/bringing-life-to-life/303056/.

Ferri, L. (2006). Crossing Borders in Alice Munro's Short Stories. In G. S. Castillo García, M. R. Cabellos Castilla, J. A. Sánchez Jímenez & V. Carlisle Espínola (Eds.), The Short Story in English: Crossing Boundaries (pp. 359-367). Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá.

Gilmore, L. (2001). The Limits of Autobiography: Trauma and Testimony. Ithaca: Cornell University Press.

Guignery, V. (2015). The Balance of Opposites in Alice Munro's Dance of the Happy Shades. In V. Guignery (Ed.), The Inside of a Shell: Alice Munro's Dance of the Happy Shades (pp. 1-25). Newcastle upon Tyne: Cambridge Scholars Publishing.

Hay, E. (2016). The mother as material. In D. Staines (Ed.), The Cambridge Companion to Alice Munro (pp. 178-192). Cambridge: Cambridge University Press.

Heble, A. (1994). The Tumble of Reason: Alice Munro's Discourse of Absence. Toronto: University of Toronto Press.

Hernáez, M. J. (1998). Exploración de un género literario: Los relatos breves de Alice Munro. Logroño: Servicio de Publicaciones de la Universidad de La Rioja.

Hernáez, M. J. (2012). Short-Storyness and Eyewitnessing. In V. Pâtea (Ed.), Short Story Theories: A Twenty-first-century Perspective (pp. 172-189). Amsterdam: Rodopi.

Hovind, J. (2015). The Epiphany Concept and Its Undoing in Alice Munro's Early Stories. In V. Guignery (Ed.), The Inside of a Shell: Alice Munro's Dance of the Happy Shades (pp. 114-129). Newcastle upon Tyne: Cambridge Scholars Publishing.

Howells, C. A. (1998). Alice Munro. Manchester: Manchester University Press.

Howells, C.A. (2016). Alice Munro and her life writing. In D. Staines (Ed.), The Cambridge Companion to Alice Munro (pp. 79-95). Cambridge: Cambridge University Press.

Hoy, H. (1980). "Dull, Simple, Amazing and Unfathomable": Paradox and Double Vision in Alice Munro’s Fiction. Studies in Canadian Literature, 5(1), 100-115. Retrieved August 10, 2020 from https://journals.lib.unb.ca/index.php/SCL/article/view/7937/8994.

Jurecic, A. (2012). Illness as Narrative. Pittsburgh: University of Pittsburgh Press.

Laduniuk, M. (2015). "Autobiographical in Feeling but not in Fact": The Finale of Alice Munro's Dear Life. Studia Anglica Posnaniensia, 50(2-3), 141-153. doi: https://doi.org/10.1515/stap-2015-0029.

Martin, W. R. (1987). Alice Munro: Paradox and Parallel. Edmonton: The University of Alberta Press.

May, C. E. (2007). The Secret Life in the Modern Short Story. In J. R. Ibáñez, J. F. Fernández & C. M. Bretones (Eds.), Contemporary Debates on the Short Story (pp. 207-226). Bern: Peter Lang.

Munro, A. (2004/1974). Something I've Been Meaning to Tell You. London: Vintage.

Munro, A. (2007/1990). Friend of My Youth. London: Vintage.

Munro, A. (2010/2009). Too Much Happiness. London: Vintage.

Munro, A. (2011, September 12). Dear Life. A childhood visitation. The New Yorker. Retrieved 23 July, 2021 from https://www.newyorker.com/magazine/2011/09/19/dear-life.

Munro, A. (2011/1968). Dance of the Happy Shades. London: Vintage.

Munro, A. (2013/2012). Dear Life. London: Vintage.

Munro, A. (2015/1971). Lives of Girls and Women. London: Vintage.

Palusci, O. (2017). Alice Munro and the Anatomy of the Short Story. Newcastle upon Tyne: Cambridge Scholars Publishing.

Pilardi, J. A. (1999). Simone de Beauvoir Writing the Self: Philosophy Becomes Autobiography. Westport: Praeger.

Rasporich, B. (1990). Dance of the Sexes: Art and Gender in the Fiction of Alice Munro. Edmonton: The University of Alberta Press.

Redekop, M. (1992). Mothers and Other Clowns: The Stories of Alice Munro. London: Routledge.

Regan, S. (1991). "The Presence of the Past": Modernism and Postmodernism in Canadian Short Fiction. In C. A. Howells & L. Hunter (Eds.), Narrative Strategies in Canadian Literature: Feminism and Postcolonialism (pp. 108-134). Milton Keynes: Open University Press.

Ross, C. S. (1992). Alice Munro: A Double Life. Toronto: ECW Press.

Ross, C. S. (2020). "At the End of a Long Road": Alice Munro's "Dear Life". In T. Struthers (Ed.), Alice Munro Everlasting: Essays on her Works II (pp. 31-78). Hamilton: Guernica Editions. Retrieved July 20, 2020 from https://www.researchgate.net/publication/342562720_At_the_End_of_a_Long_Road_Alice_Munro's_Dear_Life.

Smith, S. & Watson, J. (2009). New Genres, New Subjects: Women, Gender and Autobiography after 2000. Revista canaria de estudios ingleses, 58, 13-40.

Smythe, K. E. (1992). Figuring Grief: Gallant, Munro and the Poetics of Elegy. Montreal: ECW Press.

Szalay, E. (2001). The Gothic as Adolescent Fantasy: Alice Munro’s Lives of Girls and Women. Central European Journal of Canadian Studies, 1, 5-17. Retrieved January 17, 2020 from https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/116107/2_CentralEuropeanJournalCanadian_1-2001-1_3.pdf?sequence=1.

Thacker, R. (1988). "So Shocking a Verdict in Real Life": Autobiography in Alice Munro's Stories. In P. K. Stich (Ed.), Autobiography and Canadian Literature (pp. 153-162). Ottawa: University of Ottawa Press.

Thacker, R. (1998). "What's material'? The Progress of Munro Criticism, Part 2. Journal of Canadian Studies, 33(2), 196-210.

Thacker, R. (2005). Alice Munro: Writing Her Lives: A Biography. Toronto: McClelland & Stewart Ltd.

Published
26-12-2021
How to Cite
Lucio-Villegas Spillard, I. M. (2021). Before I Say Goodbye: Autobiography and Closure in Alice Munro’s “Finale”. International Journal of English Studies, 21(2), 139–155. https://doi.org/10.6018/ijes.475711
Issue
Section
Articles