LOS TOQUES MINEROS: DE LA TRADICIÓN A LA MODERNIDAD

Authors

  • Carlos Piñana Conesa Profesor de Guitarra Flamenca, Conservatorio Superior de Música de Murcia
Keywords: Guitarra flamenca, toque por tarantas, toque por mineras, armonías del flamenco

Abstract

This work deals with the musical evolution that has taken place in the accompaniment of “cantes mineros”, confronting the classical or traditional mode with the current one. The starting point is a selection of four “cantes mineros”, which are accompanied by two guitarists, Antonio Piñana and Carlos Piñana, belonging to two different generations, and who have both, a priory, a different style and use different resources. We will analyze the musical elements put into play by each guitarist, while pointing out the possible influences received from musical styles unrelated with flamenco by the younger one.

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Published
15-01-2013
How to Cite
Piñana Conesa, C. (2013). LOS TOQUES MINEROS: DE LA TRADICIÓN A LA MODERNIDAD. Flamenco Research Magazine "La Madrugá", (7). Retrieved from https://revistas.um.es/flamenco/article/view/163161
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Section
Artículos