LA BIMODALIDAD EN LAS FORMAS DEL FANDANGO Y EN LOS CANTES DE LEVANTE: ORIGEN Y EVOLUCIÓN

Authors

  • Lola Fernández Marín Conservatorio Adolfo Salazar (Madrid)
Keywords: Flamenco, bimodalidad, fandango, cantes de Levante, malagueña, jácara, jota

Abstract

In the world of formal varieties of flamenco styles, the fandango is representative of a unique musical structure, shared by Levante songs as forms of fandango they are. The musical structure of the fandango has been called by the term bimodal. This article discusses the meaning of the term and its suitability to qualify the fandango, doing a fandango historical journey from primitive fandangos to the miners flamenco songs.

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Published
04-01-2012
How to Cite
Fernández Marín, L. (2012). LA BIMODALIDAD EN LAS FORMAS DEL FANDANGO Y EN LOS CANTES DE LEVANTE: ORIGEN Y EVOLUCIÓN. Flamenco Research Magazine "La Madrugá", (5). Retrieved from https://revistas.um.es/flamenco/article/view/142651
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Artículos