The artistic criterion
Abstract
The aesthetic theory has often been interested in aesthetic criterion – that one that discriminates or determines what art is and what is not, or whether if something is art or not – but it has rarely asked what are the artistic criteria and how they operate (understanding by artistic criteria those that are involved in creation or criticism). This article aims to provide a characterization of such criteria starting from their relationship with standard and judgement, elements that refer to the thought of Hume and Kant respectively. A review of the ideas of authors such as Stanley Cavell or Yves Michaud about the criteria is also presented.
Downloads
References
Adorno, Theodor W. (2004). Teoría estética (Obra completa, 7). Madrid: Akal. Trad. J. Navarro.
Bachelard, Gaston (2006). La tierra y las ensoñaciones del reposo. Ensayo sobre las imágenes de la intimidad. México: Fondo de Cultura Económica. Trad. R. Segovia.
Balmes, Jaime (1914). El criterio. Barcelona: Imprenta Barcelonesa.
Cavell, Stanley (1999). The Claim of Reason: Wittgenstein, Skepticism, Morality, and Tragedy. Nueva York: Oxford University Press.
Chisholm, Roderick M. (1973). The Problem of the Criterion. Milwaukee: Marquette University Press.
Corominas, Joan (1967). Breve diccionario etimológico de la lengua castellana. Madrid: Gredos.
Croce, Benedetto (1908). “L'intuizione pura e il carattere lirico dell'arte”. En La Critica. Rivista di Litteratura, Storia e Filosofia diretta da B. Croce, 6, pp. 321-340.
Danto, Arthur C. (2005). El abuso de la belleza. Barcelona: Paidós. Trad. C. Roche.
Danto, Arthur C. (2013). Qué es el arte. Barcelona: Paidós. Trad. I. García Ureta.
De Diego, Estrella (1999). Tristísimo Warhol: cadillacs, piscinas y otros síndromes modernos. Madrid: Siruela.
Dewey, John (2008). El arte como experiencia. Barcelona: Paidós. Trad. J. Claramonte.
Diderot, Denis (2005). “Arte (Encyclopédie, Vol. I, pp. 713-717)”. En Arte, Gusto y Estética en la Encyclopédie. Valencia: MuVIM, pp. 23-37.
Ferrater Mora, José (2010). Diccionario de Filosofía (A-D). Barcelona: RBA.
Goodman, Nelson (1977). The Structure of Appearance. Boston: Reidel.
Goodman, Nelson (1990). Reconceptions in Philosophy and other Arts and Sciences (con Catherine Elgin). Indianapolis: Hackett.
Hazan, Olga (1999). Le mythe du progrès artistique: étude critique d'un concept fondateur du discourse sur l'art depuis La Renaissance. Montreal: Presses de l'Université de Montreal.
Hume, David (1993). “On the Standard of Taste”. En Selected Essays. Nueva York: Oxford University Press, pp. 133-153.
Kant, Immanuel (1999). Crítica del juicio. Madrid: Austral. Trad. M. García Morente.
Kant, Immanuel (2015). Kritik der Urteilschaft. Köln: Anaconda Verlag (asimilada a Gesammelte Schriften. Berlin: Preussische Akademie der Wissenschaften, vol. 1-22).
Krause, Karl Ch. F. (1871). Ideal de la humanidad para la vida. Madrid: Imprenta F. Martínez García.
Leddy, Tom (2019). “Dewey’s Aesthetics”. En Edward N. Zalta (ed.) The Stanford Encyclopedia of Philosophy. Disponible en https://plato.stanford.edu/archives/win2019/entries/dewey-aesthetics/
Leidecker, Kurt F. (1969). “Criterio”. En Runes, Dagobert D. (ed.) Diccionario de Filosofía. Barcelona–México D.F.: Grijalbo, p. 85.
McCain, Kevin (2014). “The Problem of the Criterion”. En Internet Encyclopedia of Philosophy. Disponible en https://www.iep.utm.edu/criterio/
Michaud, Yves, (1999). Critères esthétiques et jugement de goût. París: Hachette Littératures.
Michaud, Yves (2002). El juicio estético. Barcelona: Idea Books. Trad. G. Vilar.
Poe, Edgar Allan (2001). La filosofía de la composición = The philosophy of composition. San Lorenzo del Escorial: Langre. Trad. J. L. Palomares.
Sexto Empírico (1996). The Skeptic Way: Sextus Empiricus' Outlines of Pyrrhonism. Nueva York: Oxford University Press. Trad. B. Mates.
Shelley, James (2017). “The Concept of the Aesthetic”. En Edward N. Zalta (ed.) The Stanford Encyclopedia of Philosophy. Disponible en https://plato.stanford.edu/archives/win2017/entries/aesthetic-concept/
Sibley, Frank (2001). “General Criteria and Reasons in Aesthetics”. En J. Benson, B. Redfern, and J. Cox (eds.) Approach to Aesthetics: Collected Papers on Philosophical Aesthetics. Oxford: Clarendon Press. DOI:10.1093/0198238991.003.0008
Trías, Eugenio (2001). “El criterio estético”. En José Luis Molinuevo (ed.) A qué llamamos arte. El criterio estético. Salamanca: Ediciones Universidad de Salamanca, pp. 13-29.
Wilde, Oscar (2002). El crítico como artista. San Lorenzo del Escorial: Langre. Trad. L. Martínez Victorio.
Wittgenstein, Ludwig (2010). Investigaciones filosóficas. Barcelona. Crítica. Trad. A. García Suárez y U. Moulines.
Wollheim, Richard (2019). El arte y sus objetos. Con seis ensayos suplementarios. Madrid: Antonio Machado. Trad. D. Díaz Soto.
Works published in this journal are subject to the following terms:
1. The Servicio de Publicaciones of the University of Murcia (the publisher) reserves the copyright of the published works and encourages and allows their reuse under the usage licence indicated in point
© Servicio de Publicaciones, Universidad de Murcia, 2015
2. Works are published in the electronic edition of the journal under a Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 International licence (legal text). They may be copied, used, disseminated, transmitted and publicly displayed, on condition that: i) the author and original source of the publication are cited (journal, publisher and URL of the work); ii) the material is not used for commercial purposes; iii) the existence and specifications of this licence for use are mentioned.
3. Self-archiving conditions We allow and encourage authors to electronically disseminate the preprint versions (the pre-review version) and/or post print (the version that has been reviewed and accepted for publication) of their works before they are published as this encourages earlier circulation and dissemination and so a potential increase in their citation and impact in the academic community.
