A rhythmic review of two poems in prosa of Ramos Sucre: ‘El asno’ and ‘El jugador’ of “El cielo de esmalte”
Abstract
In this article we carry out a revision of the concept of rhythm in the poetry of José Antonio Ramos Sucre (Cumaná, 1890-Geneva, 1930). The mode used by the poet is the poem in prose and, as we will demonstrate, this is built without leaving aside an important notion for poetic elaboration: rhythm. We then analyze two poems from El cielo de esmalte (1929): "El asno" and "El jugador".
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References
BIBLIOGRAFÍA
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RAMA, Ángel (1985). El universo simbólico de José Antonio Ramos Sucre. La crítica de la cultura en América Latina. Selección y prólogos de Saúl Sosnowski y Tomás Eloy Martínez, cronología y bibliografía de la Fundación Internacional Ángel Rama. Caracas: Ayacucho, pp. 168-216.
RAMOS SUCRE, José Antonio (1989). Obra completa. Prólogo de José Ramón Medina, cronología de Sonia García. Caracas: Ayacucho.
SUCRE, Guillermo (1975). La máscara, la transparencia. Ensayos sobre poesía hispanoamericana. Caracas: Monte Ávila.
UTRERA TORREMOCHA, María Victoria (1999). Teoría del Poema en Prosa. Utrera: Universidad de Sevilla.
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