Robótica, cine y derecho

Robótica, arte y derecho

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DOI: https://doi.org/10.6018/bioderecho.384181
Keywords: Robotics, Artificial Intelligence, Art, Cinema, Law, Image

Abstract

Robotics, in particular that which has a human figure -android- is shown as a sphere of present and future development. The European Union studies the future regulation of ethical and legal issues that affect robotics in its relationship with human beings. The aim is to regulate the protection of all people who interact with robots.

The study of the evolution of the image of the robot is much older than its regulation, and is present in virtually all artistic disciplines. In cinematography, in particular, robotics is a recurring theme within the field of science fiction. The article presents a study of the image and ethical category of the cinematographic robot from the origins of cinema; Analyzing his vision from the human being. In this evolution the great weight of the android image is observed, which generates respect, fear, uncertainty; in front of the robots machines.

After studying the evolution of the robot's image, it is possible to face with greater clarity the legal challenges that are faced. The image of the robot is fundamental; and even more so in groups in need of special protection. This may lead to the conclusion of the need to control the image of the robot and its resemblance to the human being in the cases of interaction with subjects in need of protection, who do not easily distinguish reality from fiction, due to age or temporary or permanent physical limitations .

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Published
30-06-2020
How to Cite
LAMBEA RUEDA, A. (2020). Robótica, cine y derecho: Robótica, arte y derecho. Bioderecho, (9), 17 págs. https://doi.org/10.6018/bioderecho.384181