La poética intepretativa en la obra “Barrio La Viña” de Paco de Lucía

Abstract

The main objective of this article is to understand how the composer and guitarist Paco de Lucía built the interpretation in his work “Barrio de la viña”. In this sense, we seek to deal with the theoretical aspects related to the rhythmic functioning of the twelve-beat flamenco compás and how this metric relationship can be glimpsed from the poetic interpretation within the aforementioned work. From the methodological point of view, we structured the work in an applied perspective; with a qualitative approach; the study focused on the explanatory model; and artistic research of a reflective nature as a methodological tool in the course of the work. The relevance of the article lies in contributing to the understanding of the interpretative poetic possibilities involved in a concert flamenco work for guitar and, with this, expanding the theoretical bases that involve the repertoire of the concert flamenco guitar. From the results obtained it was possible to perceive: (i) the relationship between the score, flamenco time signature and interpretation; (ii) the beginning of the falsetas in unusual tempos of the flamenco rhythm; (iii) the weakening of the accents of the strong times of the 12-stroke compás.