FUENTES ICONOGRÁFICAS DE LA GUITARRA FLAMENCA: DE LA GUITARRA POPULAR A LA GUITARRA “PRE-FLAMENCA” EN LA PRIMERA MITAD DEL SIGLO XIX

Authors

  • Norberto Torres Cortes
Keywords: Spanish guitar, flamenco guitarra, David Wilkie, John Frederick Lewis, Pierre François Giraud, Louis Charles Porion, Alfred Dehodencq, Antoine Dumas, John Phillip, Jenaro Pérez Villaamil, Antonio Chamán.

Abstract

During the 19th century it takes place the definitive consolidation of the guitar of six simple strings, with the appearance and the tuning that we know at present, since we can state from the pictures and illustrations of several artists of this period.

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Author Biography

Norberto Torres Cortes

Investigador en temas flamencos
Published
17-07-2013
How to Cite
Torres Cortes, N. (2013). FUENTES ICONOGRÁFICAS DE LA GUITARRA FLAMENCA: DE LA GUITARRA POPULAR A LA GUITARRA “PRE-FLAMENCA” EN LA PRIMERA MITAD DEL SIGLO XIX. Flamenco Research Magazine "La Madrugá", (8). Retrieved from https://revistas.um.es/flamenco/article/view/179591
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Artículos