TY - JOUR AU - Matos Dias, Isabel PY - 2008/08/01 Y2 - 2024/03/29 TI - Croisement de regards. La phénoménologie de M. Merleau-Ponty et lʼart vidéo de Bill Viola JF - Daimon Revista Internacional de Filosofia JA - Daimon VL - 0 IS - 44 SE - Artículos DO - UR - https://revistas.um.es/daimon/article/view/96241 SP - 85-92 AB - <p>Considering with the last Merleau-Ponty, phenomenology as a philosophical mouvement inspired by a new learning of perception, instead of a completely closed thinking system, Matos Dias reflects about how contemporary video artists keep on this attitude. Analysing specially the films of Bill Viola (his memorable I do not know it is I am like), the portuguese philosopher points on the phenomenological involvement of an artist who is always looking for the specifity of the union of human being and nature, observer and observed.</p><span style="font-size: xx-small; font-family: Times-Roman;"></span> ER -